Gucci men’s, fall 2020. Credit… Valerio Mezzanotti for The New York Times.
[Subheading] Whether designers acknowledge it or not, World War II still shapes their collections. Even at Gucci. (Guy Trebay, “At Milan Men’s Week, the War Lives On,” NYTimes, 1-15-20)
I can’t resist marveling at the look of this Gucci lineup and quipping that the plaid background pulls it all together! The models evoke for me waifs who have had to dumpster-dive for remnants and cast-offs in order to clothe themselves.
High fashion is a mysterious and perplexing world to me. I enjoy keeping an eye on it, not to ridicule — that’s simplistic and counter-productive — but to see where it points. How do designers develop their ideas and make their choices? In what ways is World War II reflected here? I would love to converse with a Gucci insider to find out.
I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.
EthicalDative 
World War Gucci
[Subheading] Whether designers acknowledge it or not, World War II still shapes their collections. Even at Gucci.
(Guy Trebay, “At Milan Men’s Week, the War Lives On,” NYTimes, 1-15-20)
I can’t resist marveling at the look of this Gucci lineup and quipping that the plaid background pulls it all together! The models evoke for me waifs who have had to dumpster-dive for remnants and cast-offs in order to clothe themselves.
High fashion is a mysterious and perplexing world to me. I enjoy keeping an eye on it, not to ridicule — that’s simplistic and counter-productive — but to see where it points. How do designers develop their ideas and make their choices? In what ways is World War II reflected here? I would love to converse with a Gucci insider to find out.
(c) 2020 JMN
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About JMN
I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.