Monthly Archives: December 2022

‘Mystique of Belatedness’: Mything the Point

Thank you for your visits to this blog and for indulging its mischief in 2022. More joy and less loss be ahead for each and all! (JMN) “I’m convinced. Eliot finished poetry off.” (Matthew Walther) The problem is not that … Continue reading

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Paint What You Fear

When my dad died in 2013, his shed (now mine) was full of guns. I inherited his art supplies, so I took up painting again after a long hiatus. My subjects came to be things I was afraid of. The … Continue reading

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‘We Have to Make Forms That Celebrate the Possibilities’: Torkwase Dyson

“The paintings introduced a range of blue colors — oceanic, but resisting a direct reading.” This review bristles with strange energy, coercive structures, geographies of enclosure, and the verb catalyze. But of all the advanced art talk on display, my … Continue reading

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Angry Centrist?

“When was the last time you encountered an angry, inflexible centrist who aggressively demanded that you see things from several points of view?” (Brian L. Ott) (Brian L. Ott, “I Studied [***’s] Twitter Use for Six Years. Prepare for the … Continue reading

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A Dawning in December

While washing up dishes on Christmas morning I happened to hear the King’s Christmas Message on British radio. It was Charles the Third’s first go at what his mother had done 69 times before him, a ritual address to the … Continue reading

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A Flat-Out Wish for the Season

Christmas Eve, Mall of America, Bloomington, Minnesota. Two groups of young men argue in Nordstrom’s, shots are fired, 19–year-old lies dead, suspects being sought. The site of 500 retail stores and 19 full-service restaurants is closed for the evening. “We … Continue reading

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‘Res Ipsa Loquitur’: The Thing Speaks for Itself

“Zelensky is basically an ungrateful, international welfare queen.” (Donald Trump Jr., quoted at https://www.washingtonpost.com/doonesbury/, 12-22-22) Billingsgate of this sort pervades the lowest rungs of public discourse in America. What’s notable for the student of rhetoric is how, even though the … Continue reading

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Field of Blood

I’ve read and listened to Edith Sitwell’s darkly musical poem “Still Falls the Rain,” guided there by poet Charles Behlen. It spurred a flurry of reference tracing; soars over broad reaches of scripture and fable in a short space; has … Continue reading

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Fleet Street Drool: Victoria Newton and Jeremy Clarkson

A review of Belarusian poet Julia Cimafiejeva’s book Motherfield ends with this observation: “She wields her flexed, forceful verses like that mightiest of muscles — the tongue.” That comment pairs with the ancient cliché that “the pen is mightier than … Continue reading

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Super-Diatribalistic Mega-Magadocious

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