-
Recent Posts
Archives
- June 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
Categories
Meta
Twitter
Tweets by mansfieldnick
Monthly Archives: September 2021
Sean Scully: ‘Backs and Fronts’
“Here’s another thing that I don’t agree with,” Scully says to me – the last comment he makes in our conversations for On the Line – “and that’s when Picasso said that art is war. Art is not war. War … Continue reading
Ballin’ the Jack
(Continued from https://ethicaldative.com/2021/09/21/its-not-over-until-its-celebrated/) On the runways of the Hall of Fenestration slenderness was next to godliness. The frescos of the Gilt Tabernacle of Mar-a-Gogo depict Museolini, god of the catwalk, being draped in sumptuous crinolines by wingèd benitos whose sheer … Continue reading
Remedios Varo (1908 – 1963)
“Armonía (Autorretrato Sugerente)”/“Harmony (Suggestive Self-Portrait)” 1956. Credit… Remedios Varo, Artists Rights Society (ARS), New York/VEGAP, Madrid, New York; Sotheby’s, via Associated Press. Her father, Rodrigo Varo y Zejalvo, a hydraulic engineer, taught her mechanical drawing and encouraged her interest in … Continue reading
‘Jasper Johns: Divide and Conquer’ — Review by Holland Cotter
Flags, maps and numbers were among the artist’s earliest repeating motifs. In “Map” (1961), the artist blurs the boundaries of states and strikes a line through the name South Carolina. Credit…Jasper Johns/VAGA at Artists Rights Society (ARS), New York; Charlie … Continue reading
‘It’s Not Over Until It’s Celebrated’*
(Continued from https://ethicaldative.com/2021/09/15/le-coeur-a-ses-raisons-que-la-raison-ne-connait-point/) *From the charter of the Rhipidistian Society. The end of lunation 247.457627-12 matched about twenty douzains of the Old Reckoning. No one was quite sure how to label the new chronology, but it felt like more than … Continue reading
‘No path to heaven / except through this dirt’
My title is from the poem by Philip Metres, “Never Describe the Sky as Azure,” in Poetry, September 2021. A Reservation Over the Fist Resisting the repressive Texas governocracy is of the essence. Are fisting poses ginned up for camera … Continue reading
Posted in Commentary, Quotations
Tagged culture, language, literature, miscellaneous, poetry, society, Texas
Leave a comment
Le Coeur A Ses Raisons Que la Raison Ne Connaît Point
(Continued from https://ethicaldative.com/2021/09/10/heres-conflict-it-had-to-come/ ) He was an oddity in the Rhipidistian peerage: a patrician who chafed under the yoke of privilege and pose. Siddhartha Huff knew in his bones that he was a left-handed entity in a right-handed body. Sidd … Continue reading
“I’m Trying to Overwhelm the Museum,” He Said
[Adam] Pendleton, 37, is best known as a painter of abstract canvases in a distinctive black-and-white style that challenge how we read language. Made using spray-paint, brush and silk-screen processes, they incorporate photocopied text, words unmoored from context, letters scrambled … Continue reading
Here’s Conflict. It Had To Come
(Continued from https://ethicaldative.com/2021/09/06/rubber-of-aspire-meets-highway-of-dream/) His mansion sprawled in the sunny uplands; his larder bulged with premium ancillary protein; the flower of lab produce was carted daily to his kitchens; his chef staff conjured shakshukas and bibimbaps for him at the drop … Continue reading
‘Marquetry Remains Her Focus’
In the past, Alison Elizabeth Taylor’s extraordinary wood-marquetry paintings have seemed interesting primarily for their bravura craft. Working from photographs, mostly her own, and using laser cutting (mainly), Taylor fashioned small pieces of various wood veneers into puzzle-like pieces fit … Continue reading →