
As for Fuji… it’s nothing but three quick strokes: a swoop to the top, a bobble for the summit, a long glide back to the ground.
[…] What Hokusai and his successors affirm over and over is that there’s no such thing as a pure “culture” divisible from others — not even the culture of a shogunate whose subjects couldn’t leave on pain of death. Culture is always an ebb and flow of fragmentations and recombinations, of encounters both violent and peaceful. You cannot stay separate; everything floats […].
(Jason Farago, “How Hokusai’s Art Crashed Over the Modern World,” New York Times, 6-22-23)
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