Tag Archives: painting

‘Marquetry Remains Her Focus’

In the past, Alison Elizabeth Taylor’s extraordinary wood-marquetry paintings have seemed interesting primarily for their bravura craft. Working from photographs, mostly her own, and using laser cutting (mainly), Taylor fashioned small pieces of various wood veneers into puzzle-like pieces fit … Continue reading

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“I’m Trying to Overwhelm the Museum,” He Said

[Adam] Pendleton, 37, is best known as a painter of abstract canvases in a distinctive black-and-white style that challenge how we read language. Made using spray-paint, brush and silk-screen processes, they incorporate photocopied text, words unmoored from context, letters scrambled … Continue reading

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‘Distraught Toddler’

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Peter Bradley: ‘What’s Important Is the Color’

“In person, Bradley is warm, refreshingly irreverent, unapologetic, and potty mouthed.” Bradley was among a handful of Black artists, along with [Sam] Gilliam, [Ed] Clark and Williams, making abstract work in the late 1960s and 1970s. Now as then he … Continue reading

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Rooster Feathers

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Trees

Below are excerpts from Françoise Mouly’s interview with artist Christoph Niemann. I became obsessed with drawing trees when I was a teen-ager. I took the same approach as I did when learning to draw the human body—trying to understand the … Continue reading

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Jane Kaufman

The savory quotation that leaps from this obituary of artist Jane Kaufman (1938 – 2021) is from Holland Cotter’s review of a 2008 retrospective at the Hudson River Museum in Yonkers, N.Y. “It’s funky, funny, fussy, perverse, obsessive, riotous, accumulative, … Continue reading

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‘Art Has Many Mansions’

The NYTimes, as well, has sumptuous reportage on this exhibit of Medici-sponsored artworks. The portraits have a preternatural technical brilliance that’s otherworldly. “Laura Battiferri,” fingering her legible volume of Petrarch, is a creature contrived from mannerist lunacy. An interesting wrinkle … Continue reading

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On Edges and Errors

Two descriptions in this article about Cézanne are helpful for me. One concerns Camille Pissarro’s treatment of edges: Pissarro was the subtlest of the leading Impressionists, devising ways of giving distinctive presence to each part of a painting, by, for … Continue reading

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Adoration of the Cat

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A hoary plot line of melodrama reduces the hero and heroine to dire straits; they’ve tried everything in their power to escape doom; the soundtrack crescendos in a minor key. “Pray,” he says. “It’s in God’s hands. Only a miracle … Continue reading

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