Tag Archives: painting

Words With Eyes

Posted on October 6, 2019 by

Viewing a Kirchner painting always makes me want to say more than I know how. I’ve seen this painting several times. A picture best speaks for itself, but a good art critic’s words can add to its impact. In “Berlin … Continue reading →

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Twice Broken

Posted on September 14, 2019 by

Roberta Smith describes Ernst Ludwig Kirchner as “the best and most versatile of the German Expressionists.” Like many 20th-century German painters, Kirchner was twice broken, by World I, which resulted in his nervous breakdown, and the rise of Hitler, which … Continue reading →

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A Pioneer Gallerist

Posted on September 14, 2019 by

In 1926, Edith Gregor Halpert (1900-1970), an émigré from Ukraine, opened the Downtown Gallery on West 13th Street. It was the first gallery in Greenwich Village and she was the city’s first female gallerist… Horace Pippin, Stuart Davis, Charles Sheeler … Continue reading →

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Grisaille

Posted on September 14, 2019 by

Roberta Smith situates artist Amy Sherald within a group of youngish painters … who have broken with, absorbed or simply ignored modernist abstraction. Instead, they work with the figure as a way of reaching broader audiences; dealing with issues of … Continue reading →

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Ambiguous Freedom

Posted on September 8, 2019 by

Film maker Gus Van Sant is known for “Drugstore Cowboy,” “My Own Private Idaho,” and “Good Will Hunting.” I didn’t know he also painted. Watercolor on linen is an unfamiliar combination for me. I’m not sure I would look too … Continue reading →

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“Reach Out from Within”

Posted on August 31, 2019 by

Karen Rosenberg writes that this exhibition of Helen Frankenthaler’s work at the Parrish Art Museum in Water Mill, NY, “presents Provincetown [Massachusetts] as more of a psychic space, one of negotiation and self-discovery, with new family responsibilities but not too … Continue reading →

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“Carnal Tapioca”

Posted on August 21, 2019 by

Recently in the NYTimes Roberta Smith wrote a spirited appraisal of the exhibition of Renoir’s late nudes at the Clark Art Institute in Williamstown, MA. Peter Schjeldahl weighs in on the topic in the latest New Yorker. It’s fascinating how … Continue reading →

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