Sprayed with silver and decorated with tinfoil, Andy Warhol’s Factory was not only his studio, but a hangout for collaborators and muses like the Velvet Underground and Edie Sedgwick. Photojournalist Nat Finkelstein spent three years documenting it all (“All tomorrow’s … Continue reading
There’s much that’s discoverable for me about Munch. These excerpts stood out. Artists I admire are similarly self-critical and leery of pretty pictures. Munch’s house and studio were on a remote hillside above Oslo, where he fled after his 1908 … Continue reading
The article is about Raphael’s preparatory cartoon for his fresco “The School of Athens” in the Vatican. What caught my eye in particular was mention of the method used to transfer the image to the walls. Its value must have been … Continue reading
A new exhibition at Tate Britain, “Van Gogh and Britain,” opens March 27, 2019. This article causes me to think somewhat differently about van Gogh. Of several good illustrations it contains, I chose the painting reproduced here because I’ve never … Continue reading
Older artists profiled in this article are achieving belated critical and financial success after laboring in obscurity for much of their careers. In her title the author makes the artists’ ethnicity explicit, providing good context for the categorization, and it’s … Continue reading
“Painting objects and people as they actually appear….” (Andrew Ferren, “A 7-Hour, 6-Mile, Round-the-Museum Tour of the Prado,” NYTimes, 3-18-19) The phrase encapsulates my former goal: To paint something accurately, yet somehow enhanced: A simplistic, naive and ambiguous goal all … Continue reading
Paint-by-Numbers
For art critics, painting-by-numbers was, and is, a byword for robotic repetition and unoriginality… (Jonathan Jones, “From Warhol to minimalism: how painting by numbers revolutionised art,” The Guardian, 4-5-19) At some point in my pre-teen years I was given a … Continue reading →