Annie Leibovitz’s latest exhibition of her photography is Annie Leibovitz: The Early Years, 1970-1983. It includes a shot of Henri Cartier-Bresson, one of her idols, during her time roaming Paris as a budding photographer.
The notoriously camera-shy Frenchman glares into her lens. “He wouldn’t let me photograph him,” says Leibovitz. “So I studied his route to work every day and planted myself on a bridge and waited. ‘You!’ he said, when he saw me. Then, ‘All right – take the picture.’”
“It’s a show about photography,” says Leibovitz. “I can stand outside of myself and look back at this young photographer learning how to take pictures, learning how to see.”
“I kind of know what people kind of want to look like,” says Leibovitz [about her portraits of celebrities]. “I can’t always achieve it. It’s like I’m a pushover. I really like to please. This is their life and I like to let them get to wherever the next step is they want to get to. I have no reason not to.”
Jordan Riefe, “Annie Leibovitz on the shots that made her,” The Guardian, 3-31-19)
(c) 2019 JMN.
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