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Monthly Archives: April 2019
Body Language
I’ve had little opportunity to enjoy the spectacle of dance except vicariously through the writing of Joan Acocella in The New Yorker. I admire the discipline and athleticism that dance demands of its performers. The passage cited here charms me … Continue reading
Not Ready for Answers
Merce Cunningham comes across in these recollections of his dancers as a man who spoke volumes in few words. “Don’t make everything so pretty” and the terse statement that answers demand questions cover about ninety percent of art and life, … Continue reading
The Heart Is a Pump
I like what Terence McNally says about creating character through dialogue. His “heart” trope further in the interview, however, is hackneyed. I hope writers who survive this “age of calamity” find a new way to talk about courage, tolerance, empathy, … Continue reading
Warholiana Keeps On Keeping On
Sprayed with silver and decorated with tinfoil, Andy Warhol’s Factory was not only his studio, but a hangout for collaborators and muses like the Velvet Underground and Edie Sedgwick. Photojournalist Nat Finkelstein spent three years documenting it all (“All tomorrow’s … Continue reading
Wrestling With Darkness
I wish the article quoted here had reproduced the De Chirico painting it mentions. I like to see evidence of how painting and music can interact for an artist. I’m only now becoming acquainted with Monder’s music. His recurring dream … Continue reading
“The End of Satire”
I have a taste for good satire. I also revere an ability to change one’s mind in a considered, informed way. The article quoted here moves me for what it shows of this process, which can be painful, as well … Continue reading
A Black Hole Sings in B Flat
There is great buzz today around black holes in celebration of the latest observations. The sense of awe these phenomena induce has intersected just now with my private boning up on fundamentals of music theory, leaving me astounded on many … Continue reading
“I don’t paint what I see but what I saw”
There’s much that’s discoverable for me about Munch. These excerpts stood out. Artists I admire are similarly self-critical and leery of pretty pictures. Munch’s house and studio were on a remote hillside above Oslo, where he fled after his 1908 … Continue reading
Side Hustle
How old are “old Chinese sayings” and how many are actually Chinese? Fewer than all of them, I surmise. However, one I encountered said that wisdom consists in getting things by their right names. It appealed to me because it … Continue reading
On Clarity
As a first-year law student I, along with my peers, had to read and sort out a seeming infinitude of cases written by appellate judges whose writing skills varied widely. Navigating the dense prose of the tomes we lugged around … Continue reading →