Kerry James Marshall’s “Black and part Black Birds in America: (Crow, Goldfinch),” 2020. It is one of two new works by the artist that David Zwirner Gallery will put on view this week. Credit… Kerry James Marshall and David Zwirner.
The Belgian painter Luc Tuymans, a friend of Mr. Marshall’s, noted that he is an intensely “deliberate” painter, and that Audubon’s obsessive meticulousness would naturally have appealed.
Kerry James Marshall, “Black and part Black Birds in America: (Grackle, Cardinal & Rose-breasted Grosbeak),” 2020. Credit… Kerry James Marshall and David Zwirner.
These decorative paintings of artificial flowers, flightless birds and exquisitely rendered birdhouses have an airless quality to them that stirs disturbingly.
I’m glad to pick up hints at how Mr. Marshall mixes what he calls a “fundamental” blackness that, in his words, “has volume [and] breathes.”
… Mr. Marshall painstakingly adjusts both the chroma (the warmth or coolness) and the value (the amount of light or dark) by mixing colors like raw sienna, chrome green, cobalt blue, and violet with black pigments.
(Ted Loos, “Kerry James Marshall’s Black Birds Take Flight in a New Series,” NYTimes, 7-29-20)
I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day, and watch Netflix and Prime Video for entertainment. I like to read and memorize poetry.
Painted Birds
The Belgian painter Luc Tuymans, a friend of Mr. Marshall’s, noted that he is an intensely “deliberate” painter, and that Audubon’s obsessive meticulousness would naturally have appealed.
These decorative paintings of artificial flowers, flightless birds and exquisitely rendered birdhouses have an airless quality to them that stirs disturbingly.
I’m glad to pick up hints at how Mr. Marshall mixes what he calls a “fundamental” blackness that, in his words, “has volume [and] breathes.”
… Mr. Marshall painstakingly adjusts both the chroma (the warmth or coolness) and the value (the amount of light or dark) by mixing colors like raw sienna, chrome green, cobalt blue, and violet with black pigments.
(Ted Loos, “Kerry James Marshall’s Black Birds Take Flight in a New Series,” NYTimes, 7-29-20)
(c) 2020 JMN
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About JMN
I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day, and watch Netflix and Prime Video for entertainment. I like to read and memorize poetry.