Bombay Beach, On California’s Dead Sea (The Salton)

Ms. Kenneally’s photographs straddled the line between glamour and destruction but also showcased a community’s pride in survival. [New York Times caption and illustration]

When I was there, I walked the streets with Denia Nealy, an artist who goes by Czar, and my friend Brenda Ann Kenneally, a photographer and writer, who would shout names, and people would instantly emerge. A stranger offered a handful of Tater Tots to Czar and me in a gesture that felt emblematic: Of course a complete stranger on an electric unicycle would cruise by and share nourishment. I was given a butterfly on a stick, which I carried around like a magic wand because that seemed appropriate and necessary. I was told that if I saw a screaming woman walking down the street with a shiv in her hand, not to worry and not to make eye contact and she’d leave me alone; it was just Stabby. There was talk of the Alcoholics Anonymous meeting on the beach, the weekly church sermon led by Jack the preacher (who is also a plumber), a potluck lasagna gathering.

(Jaime Lowe, “The Secret to Surviving Climate Apocalypse,” New York Times, 3-29-24)

Sometimes a stand and a stance visually rhyme. Brenda Ann Kenneally’s radiates brawny pluck in the shit’s maw.

(c) 2024 JMN — EthicalDative. All rights reserved

About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.
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