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Category Archives: Commentary
Feminine He Ain’t
This article describes Richard Serra as “the best-known living sculptor in America.” His medium is steel, in which he enshrines “abstract forms as maximalist feats of mass and scale.” At the Museum of Modern Art… a room-sized assembly of eight, … Continue reading
Retire “Toxic.” “Hegemonic” is Here
Scholars call it “hegemonic masculinity,” a fancy phrase defining the traditional male ideal as being stoic, tough and aggressive. The body is an instrument of violence in this rationalization…The football helmet… is not just a form of protection but… a … Continue reading
Duking It Out With Regret
“I have said previously that it was a mistake and an error to see him after his release… I can only reiterate my regret… I was mistaken to think that what I thought I knew of him was evidently not … Continue reading
Please God, Net It Out!
I’ve read “Ulysses,” “War and Peace,” some of Henry James and most of Faulkner — but not recently. I’m aware I’ve just bragged, and I’m ashamed of it in a manner of speaking. These four writers aren’t known for netting … Continue reading
Methanol Republic
A Nobel laureate-in-waiting will spirit the drinkability out of antifreeze. Enlightened governments will protect their populations. Unicorns will pasture in Central America. These potables are flagged as suspect in this article: Guaro Montano, Guaro Gran Apache, Aguardiente Estrella, Aguardiente Barón … Continue reading
Cedric Benson (1982-2019)
The death of a man in his young prime, and of his passenger on the motorcycle, is an unmixed tragedy. I have nothing but respect and condolence for all who mourn the cruel loss of these two lives. What strikes … Continue reading
“Ida, Not Georgia”
Roberta Smith writes of an exhibition at the Clark Art Institute in Williamstown, Massachusetts entitled “Ida O’Keeffe: Escaping Georgia’s Shadow.” I don’t warm immediately to the work of Ida Ten Eyck O’Keefe (1889-1961), but I’m glad it has survived against … Continue reading
Posted in Anthology, Commentary
Tagged art, Clark Art Institute, painting, Roberta Smith
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“A Saved Man”
I admire Renoir for the valor with which he carried on his work into old age, arthritic hands and all. I don’t care much for his nudes. Nor am I as fond of Boucher as he was, but I get … Continue reading
“Amped Up to Grotesqueness”
Gina Beavers’s work hits a sweet spot for me. It’s impossible not to bumble where the talent has gone already, but I intend to explore serial, inflated, anatomical detail myself. Her idiosyncratic aesthetic… [offers] canny statements on contemporary bodies, beauty … Continue reading
The World We Mustn’t Live In
Two thoughts slam me at once. They can’t be correlated, but mustn’t they? The first thought is that we live in a tired, busy world; a world of busy tiredness; a world of tired busyness. Such is our world: tired … Continue reading →