“In his view, painting and drawing are exactly the same difficulty and take roughly as long as each other.” (William Feaver, art critic and one of Auerbach’s regular sitters) Asked whether he has learned something new about his face, [Auerbach] … Continue reading
On scrolls of Japanese paper each 19 feet in length, Barton documented the underbelly of San Francisco’s North Beach neighborhood before the hippies showed up… A friend and fellow artist recalled that Barton began a portrait with the sitter’s fingernail… … Continue reading
Complexity is what we create; our familiar cussedness comes out and easily defeats us. The harder things in life are the simple ones. Whenever I manage to disregard the rulemonger holding class in my skull-room, the method-nazi intoning, You are … Continue reading
… The mark-making basic to drawing is the starting point of so much else: the development of written language, numbers, musical scores. Drawings are the great teachers; they educate the eye and make us more conscious of seeing. They present … Continue reading
This gallery contains 2 photos.
I’ve little practice handwriting Arabic. Even less am I schooled in the monastic rigors of calligraphy. I do confess to an effort to “draw” Arabic. My models are the characters as they appear in printed texts. I savor their swoops … Continue reading
Portuguese-born artist Paula Rego (b. 1935) studied at the Slade School of Fine Art, London. She lives in the UK. Quotable saying: “Doing work, that is to say, drawing, is an erotic activity.” Anna Russell writes that the urgency of … Continue reading
A trove of drawings by Franz Kafka was brought to light in 2019. They share, says Philip Oltermann, features with paintings Kafka describes in his fiction: “… men riding flying buckets, singing mice and creatures made of household detritus… dream-like … Continue reading
Jenny Saville speaks in all the quotes here. Italy is a country of figuration, so I feel very at home here — but it was intimidating. I got through by really looking at Michelangelo… I started to do direct studies … Continue reading
Below are excerpts from Françoise Mouly’s interview with artist Christoph Niemann. I became obsessed with drawing trees when I was a teen-ager. I took the same approach as I did when learning to draw the human body—trying to understand the … Continue reading
EthicalDative 
The Case for Rhythm and Emptiness
Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading →