Tag Archives: drawing

Trees

Below are excerpts from Françoise Mouly’s interview with artist Christoph Niemann. I became obsessed with drawing trees when I was a teen-ager. I took the same approach as I did when learning to draw the human body—trying to understand the … Continue reading

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On Edges and Errors

Two descriptions in this article about Cézanne are helpful for me. One concerns Camille Pissarro’s treatment of edges: Pissarro was the subtlest of the leading Impressionists, devising ways of giving distinctive presence to each part of a painting, by, for … Continue reading

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Shows and Prose

Along comes more NYTimes torqued and taut art talk of the sort that sweeps me up. … Several gorgeous self-portraits made toward the end of his life. Their precision is astonishing… It’s clear that what most interested Ellis about ink … Continue reading

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Wide Load

Jason Farrago lavishes a container shipload of exegetical rumination on Julie Mehretu’s paintings. Lines accreted in an essentially radial configuration, with large arcs orbiting an absent central axis, and orthogonal spokes sprouting from the core. (The Mehretu black line is … Continue reading

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‘Certitudes’

This is the Cubist revolution: Here, for the first time in Western art since the Renaissance, the world as we see it no longer has primacy. The picture is no longer an act of perception. It’s an act of imagination, … Continue reading

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Transitioning

(c) 2020 JMN

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Pub Apocalypse?

A good pub feels a bit like a living room: a familiar, informal space where you can have a pint with friends and strangers… Enjoying a drink in a room that has been used for the same purpose for hundreds … Continue reading

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From Concept to Chrome

“Detroit Style: Car Design in the Motor City, 1950-2020,” an exhibition at the Detroit Institute of Arts, opens this month and runs through next June. … The D.I.A. exhibition set out to communicate the journey that started with a designer’s … Continue reading

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Slackoff from Windbaggage

Art Spiegelman’s comment below, encountered on the fly as if on zoom wings, has helped me realize that this latest painting is just wrong: grotesque in subject, torpid in execution, and the end of a line. Fury and disgust can … Continue reading

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Amy Sillman: The ‘Facticity’ of Paint

… [Amy Sillman] has helped lead the charge over the last decade for a reinvigorated mode of abstraction, alongside colleagues like Laura Owens, Julie Mehretu, Joanne Greenbaum or Jacqueline Humphries. These painters, mostly women, have reclaimed the potency of active … Continue reading

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