“Steer”

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Double-Sided Watercolor

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Double-Sided Watercolor

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“Naked Bull Fighter”

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“Native American Horseback With Spear”

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“Rancher and Sick Cow”

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“Justice of the Piece”

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Facing Facebook

I haven’t deleted Facebook. That would amount to locking the door after the assassin has entered the house.

I open FB in order to dismiss notifications. Then I quickly exit, like slamming a window shut to keep a hornet from flying up my nose. I’m sure FB continues to snoop, but at least it doesn’t have my explicit connivance.

Nor have I downloaded my FB data. It’s too disturbing to revisit how I’ve opened my kimono there, spreading my cheeks, munching engagement bait to feed the worm.

If I sound dyspeptic your hearing is acute. Personal computing in the eighties, when I stumbled into it, wasn’t corrupt and invasive and predatory. It had promise. But the promise is broken, and I spy no fix ahead.

(Copyright 2018 James Mansfield Nichols. All rights reserved.)

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Make Intelligent Mistakes

Make intelligent mistakes. (No idea who said this.)

What interests me about rhyming is how it can force you to say something that you didn’t intend to say. It can make your poem go in a new direction. It may not work, but sometimes it does. What I admire about poets who rhyme is their ability to make a rhyme fall naturally, as if it were planned and not a happy fuck-up.

“Whistler’s canvases for the works he called the ‘Nocturnes’ were prepared, Attlee explains, with a red or gray ground, on to which he would wash what he called his ‘sauce,’ a runny mixture of oil paint, linseed oil, turpentine and a mastic called copal. This medium was so liquid that canvases had to be placed on the floor to prevent the image slipping away entirely.” [Lost source.]

(Copyright 2018 James Mansfield Nichols. All rights reserved.)

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Happy Words

“Blowsy abstraction jostling with derelict figuration.” (Schejdahl?)

“Yawing between gesture and smear.” (Ditto?)

“Painting isn’t dead except as a major art. From now on it will be a discourse of adepts, like jazz.” (Dave Hickey)

“Attack with paint the shallow clamor of pixelation.” (Who?)

(Copyright 2018 James Mansfield Nichols. All rights reserved.)

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