This gallery contains 1 photo.
Jill and Jack went out the backEquipped with a large bucket.Jill said, “Both hands now, Jack, you prat,And this time let’s not…” (c) 2020 JMN
When Dalí, who died in 1989, finished the project [illustrating the “Divine Comedy”], he had completed 100 watercolors for the poem’s 14,233 lines: 34 illustrating Inferno, 33 illustrating Purgatory and 33 illustrating Paradise. Then, over several years, artisans carved 3,500 … Continue reading
Bearden (1911-88) is best known for his indelible figurative collage depictions of African-American life in all its quotidian richness, strength and struggle… Bearden’s far more obscure abstractions… have tended to be given short shrift in his biographies and retrospectives… While … Continue reading
I’m fond of the colorful, map-like painting by the Austrian Hundertwasser. Also, of the sun figure that recurs in his work. “These artists have something in common: They all turned against the ideals of the Third Reich… I’m doing a … Continue reading
Texas City. The American Hydrological Sodality’s southeast chapter is circulating a white paper, “Petulant Sociopathy Limitations for Drainage Management in Elevated Swamp-Tick Infestation Ecologies,” for peer review pending September publication in the journal Waterworks. The paper’s authors, Thom Smythe and … Continue reading
A few years ago, I interrupted a panel discussion at the Guggenheim as it moved toward the dead-horse question of whether painting was still viable. How, I asked, uninvited, from the audience, could people talk of the end of painting … Continue reading
This gallery contains 1 photo.
Jill and Jack went out the backEquipped with a large bucket.Jill said, “Both hands now, Jack, you prat,And this time let’s not…” (c) 2020 JMN
I like this picture. (Adam Popescu, “There’s a New Artist in Town. The Name Is Biden,” NYTimes, 2-28-20) (c) 2020 JMN
My enduring affection for Spain gets periodic boosts from ceremonies such as this. On June 6, 2020, a group of Spaniards staged a reenactment of Velazquez’s famous “Surrender of Breda” to commemorate the event itself in the Dutch war of … Continue reading
“No Mimetic Ability”
[Stella’s] emphasis on two-dimensional surfaces was a clear rejection of the idea of painting as a window into a three-dimensional space. A story in one of his mother’s Vogue magazines, featuring models posed in front of a painterly Franz Kline-esque … Continue reading →