Tag Archives: painting

Warholiana Keeps On Keeping On

Sprayed with silver and decorated with tinfoil, Andy Warhol’s Factory was not only his studio, but a hangout for collaborators and muses like the Velvet Underground and Edie Sedgwick. Photojournalist Nat Finkelstein spent three years documenting it all (“All tomorrow’s … Continue reading →

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“I don’t paint what I see but what I saw”

There’s much that’s discoverable for me about Munch. These excerpts stood out. Artists I admire are similarly self-critical and leery of pretty pictures. Munch’s house and studio were on a remote hillside above Oslo, where he fled after his 1908 … Continue reading →

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Paint-by-Numbers

For art critics, painting-by-numbers was, and is, a byword for robotic repetition and unoriginality… (Jonathan Jones, “From Warhol to minimalism: how painting by numbers revolutionised art,” The Guardian, 4-5-19) At some point in my pre-teen years I was given a … Continue reading →

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Cartoon Transfer Technique

The article is about Raphael’s preparatory cartoon for his fresco “The School of Athens” in the Vatican. What caught my eye in particular was mention of the method used to transfer the image to the walls. Its value must have been … Continue reading →

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Van Gogh in London

A new exhibition at Tate Britain, “Van Gogh and Britain,” opens March 27, 2019. This article causes me to think somewhat differently about van Gogh. Of several good illustrations it contains, I chose the painting reproduced here because I’ve never … Continue reading →

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“You Invent Your Own Game”

Older artists profiled in this article are achieving belated critical and financial success after laboring in obscurity for much of their careers. In her title the author makes the artists’ ethnicity explicit, providing good context for the categorization, and it’s … Continue reading →

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Trompe L’oeil

“Painting objects and people as they actually appear….” (Andrew Ferren, “A 7-Hour, 6-Mile, Round-the-Museum Tour of the Prado,” NYTimes, 3-18-19) The phrase encapsulates my former goal: To paint something accurately, yet somehow enhanced: A simplistic, naive and ambiguous goal all … Continue reading →

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Embrace-Aversive

Do I love this painting? Love is not a word I would use to describe my regard for Warhol, which is high. He and his art are too trouble-makingly elusive and embrace-aversive for that. But this is true of some … Continue reading →

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How Things Actually Appear

Artists of the Spanish “golden age” in the 17th century seemed to delight in manipulating paint on the canvas to create dazzlingly realistic effects, such as the light shimmering on silk gowns in Velázquez’s “Las Meninas,” or the churning clouds … Continue reading →

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Vivian Browne

In 1965, the artist, educator, and activist Vivian Browne (1929-1993) began a series titled Little Men. Considered her first major body of work, it consists of oil and acrylic paintings of white-collar middle-aged white men… They’re dressed in button-down shirts … Continue reading →

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