“The Birth of the World”

birth of the world by miro

Miró’s “The Birth of the World,” from 1925. Credit Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris; The Museum of Modern Art.

The artist André Masson once likened this large (8-by-6½ feet) canvas [“The Birth of the World” by Joan Miró] in its radicalness to Picasso’s “Les Demoiselles d’Avignon” of 1907. It is still startling that the two are only 18 years apart. But while “Demoiselles” enabled Cubism, which spread through Europe and beyond in a matter of years, “The Birth of the World” went almost immediately underground; it was too far ahead of its time to have an immediate effect. Its thin veils, splatters and rivulets of gray, ocher and blue wash and horizon-free space would find little echo outside of Miró’s work until around 1950, with the pouring techniques of Jackson Pollock and Helen Frankenthaler.

(Roberta Smith, “Miró’s Greatness? It Was There From the Start,” NYTimes, 3-14-19)

(c) 2019 JMN.

About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day, and watch Netflix and Prime Video for entertainment. I like to read and memorize poetry.
This entry was posted in Anthology, Quotations and tagged . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.