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Tag Archives: poetry
Ciceronian Suasion: ‘Memorable in a Matter of Minutes’
May we be guided by hope, joy and a fierce moral imagination.(Rabbi Sharon Brous) Anyone who watches Buttigieg on Fox News knows he can boil things down with terrific lines, and it’s being memorable in a matter of minutes that … Continue reading
‘I Said Hello. Then You Said You Said Hello’
I’m guessing you think there’s a typo in my heading. I know! The use of repetition in “The Renaissance,” a poem by Trey Moody (Poetry, May 2024), was a hook for me. The thirteen-line poem starts here: I said hello. … Continue reading
The Few, the LOUD
The elbow room in ivied halls of bard raptureHas the vastness of atomic space.Let ring lute! — Recorder, mandolin and dulcimer.Let move your lips with mine while reading silently.Let BE our noise! Be louder than it sounds! A sub-segment of … Continue reading
‘Plastic Is This Zombie Medium’
Verse can have visual ramifications as well as verbal ones. Text commandeers white space on the page in one-off patterns reflecting a close collaboration between author and typographer. The ensemble is larger than the words which are its literal medium. … Continue reading
‘Tested in the Wrack Wrack of the Parlance’
… I want to say / this is how it started: / there was a mystery / it begged / to be stroked(Alexis De Veaux, “For my love at the time of our ceremony,” Poetry, July-August 2024) “YxzY” by Ronaldo … Continue reading
Raise Your Hand If You’re Up for a ‘Variety of Irreconcilable Points of View’
Rooky move: I responded to the first page of Meghan O’Rourke’s essay “On Ambivalence: To Be, but to Be How?” (Poetry, June 2024) before I had finished reading it. I caught the wave generated for me by her allusions to … Continue reading
Un-Contained
The text is Marvin K. White’s “From Containment to Expansion: A Tenderloin Meditation in Two Parts” (Poetry, July/August 2024). Part 1 contains 82 the’s, 41 does not contain’s and 41 pairings that span the elemental (sun-fire), the metaphysical (circle-infinity), the … Continue reading
Protect the Rim, Kill the Note
I got a charge out of Ernie Barnes’s painting titled “Protect the Rim.” The surreally long figures, the lofty rustic hoop, and even the knocked-together frame all have a quirky charm. In a parallel world, my grandmother’s capacious lungs powered … Continue reading
Raise Your Hand If You Know What ‘Paratactic’ Means
In an essay, Meghan O’Rourke writes the following: Ambivalence is, like so much poetry, paratactic. (Poetry, June 2024) Ambivalence is a state of mind characterized by mixed feelings. Parataxis is a rhetorical move. It daisy-chains independent clauses, leaving it to … Continue reading
On Rhyme and a Little Bit of Rhythm
Reading current poems, I notice how rhyme seems mostly a thing of the past. Occasional rhyme and near rhyme can land felicitously nowadays, but when deployed lockstep it’s often noisy and distracting. To some degree the same is true with … Continue reading →