Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Nor Tear nor Rant, But Cogent, Urgent, Plangent Tangent

More I can’t:The title is my tear. How did you in yourHead say tear? As in go on a tear,Or shed a tear? One rhymes with fearAnd one with bear Market. That, my friend’s,Enjambment for you. Fake news flash! A … Continue reading

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An Unbosoming: On Cohesion

Wehr lists anatomical English equivalents for Arabic noun ṣadr, plural ṣudūr, as: chest, bust, breast, bosom. (Heart is an outlier, clearly metaphorical.) At a tender age I heard my grandmother refer to ladies’ “bosoms.” Context nudged me to associate “bosom” … Continue reading

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‘the living can / be silenced the dead cannot’

The writer who wrote the line in my title is ire’ne lara silva. Here it is in context: … they will make us all into virginmadonnas protecting mexicanidadbut our redred blood spilt on the ground does not knowhow to be … Continue reading

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What’s in YOUR Belly?

The Arabic phrase under examination is this (with my transliteration): وَأَصْلِحُوا۟ ذَاتَ بَيْنِكُمْ ۖwa-‘aṣliḥū ḏāt(a) bain(i)-kum In the languages I can navigate, here are various translations. All but “Cortés” are from here: Englishsettle your affairs (Dr. Mustafa Khattab, The Clear … Continue reading

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I Need Some Writer’s Block

Really, I should draw, paint and read more, write less. It’s a constant struggle to pipe down.  Poetry, for one thing, triggers me. Intending to read a bait of versifying, before I know it I’m a keyboard Roman candle ejaculating … Continue reading

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Is Divine Wet Work an Anomaly or a Feature?

After the first death there is no other. (From Dylan Thomas’s “A Refusal to Mourn the Death, by Fire, of a Child in London.”) A euphemism I retain from immersion in spy thriller fiction is the term “wet work.” In … Continue reading

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Did Someone Mention Drugstore Cowboys?

The Lone Ranger rides again! That was my first take on the photo. Then it stirred my childish you-haven’t-earned-your-Stetson attitude. I was sure the article would nudge me toward curdled cowboy hat bête noire-ism. But wait: As he cavorted across the … Continue reading

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The ‘Color(ed) Theory’ of Artist Amanda Williams

“There is something anthropomorphic about this work… I didn’t force it. That’s what made it powerful.” (Amanda Williams) In her studio, Williams experimented with her Prussian blue, layering, diluting and pouring the paint, letting it crack, pool and bleed across … Continue reading

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Atlas Shrugged and Put on a Hat

“If you don’t like country music, get outta the way! Cause we’re KBUCK and we’re gonna keep comin’ atcha!” (A radio station, name disguised) In Arabic, ignorance is expressed with a verb, not a predication. It’s not a state you … Continue reading

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Landscapes with High Horizon Lines, Shot Through with Blood and Shrapnel

His layers of paint, a mudlike impasto, oil and acrylic paints mixed with raw materials like soil, iron, straw and dead leaves, form deep furrows on the canvas. These landscapes, with van Gogh’s high horizon lines, all seem to be … Continue reading

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