No Speculation, Please

Adverbs Ahead

No Speculation

The mayor of Dallas has urged people to avoid speculation after a key witness in the murder trial of the police officer Amber Guyger was shot dead, days after the officer’s conviction and sentencing.

“Amber Guyger case: mayor says to avoid speculation over murder of key witness,” Associated Press, theguardian.com, 10-7-19)

That should work.

(c) 2019 JMN

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The Critic Almost Ran Out of Praise

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Artwork for Ghosteen by Nick Cave and the Bad Seeds. Photograph: Ghosteen Ltd.

Here’s a review of Nick Cave’s album “Ghosteen” that has a left-handed conclusion.

On one level, it shouldn’t be surprising that it’s as good as it is: Nick Cave and the Bad Seeds have been in a career-high purple patch since the last double album they released, 2004’s Abattoir Blues/The Lyre of Orpheus. Nevertheless, listening to Ghosteen, it’s very hard indeed not to be taken aback.

(Alexis Petridis, “Nick Cave and the Bad Seeds — the most beautiful songs he has ever recorded,” theguardian.com, 10-3-19)

After glowing, the prose skids for a moment before the verdict lands — ambiguously positive, oddly reticent, concessive more than celebratory: The reviewer is hard put not to be taken aback by, or at, his very surprise over the unsurprising goodness of a band that has been surprisingly good all along.

(c) 2019 JMN

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Words With Eyes

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Ernst Ludwig Kirchner, “Berlin Street Scene,” 1913-14. Credit Neue Galerie Image.

Viewing a Kirchner painting always makes me want to say more than I know how. I’ve seen this painting several times. A picture best speaks for itself, but a good art critic’s words can add to its impact.

In “Berlin Street Scene” (1913-14) black-clad johns and colorful streetwalkers flicker like burning driftwood as they size up one another for tawdry encounters without ever meeting eyes. Excitement, danger, and braggadocio hang in the air, all distinctly disembodied. The etching “Cocottes at Night” captures this same social dance as a nightmare of movement and tension, a lightning storm of jagged lines.

(Will Heinrich, “The Unstable Artist Who Helped Invent Expressionism,” NYTimes, 10-2-19)

(c) 2019 JMN

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Shot Fox

shot fox

Chancellor Sajid Javid speaking at the Conservative party conference in Manchester. Photograph: Frank Augstein/AP.

“He may think spaffing some last-minute cash has shot Labour’s fox.”

(Polly Toynbee, “The Tories have split the country. No spending splurge can repair it,” theguardian.com, 9-30-19)

I couldn’t say it better than that though I knew what it meant.

(c) 2019 JMN

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Smugglers With a Heart

smugglers

This Spanish police picture shows a speedboat surrounded by bundles of drugs packages, after a police high-speed chase with smugglers off Malaga. Photograph: Spanish Guardia Civil/AFP via Getty Images.

A statement that the police boat “span out of control” is a perfect error modeled on the “begin-began-begun” pattern, eminently forgivable in an article sourced from a non-English news agency.

My real reason for blogging this article is admiration for the smugglers who rescued their pursuers. It didn’t save them from jail, but I hope the three officers they pulled from the drink made sure they had a good meal that evening.

(“Spanish police plucked from ocean by drugs smugglers they were chasing,” Agence-France Presse, theguardian.com, 10-4-19)

(c) 2019 JMN

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Illustration of the Day

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Illustration by Zak Tebbal; Photographs from Getty Images.

(From Richard Reeves, “Now the Rich Want Your Pity,” NYTimes, 10-5-19)

I don’t believe a picture is always worth several words. But this one is.

(c) 2019 JMN

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Dallas Complaints Department

dallas complaints

Joshua Brown, left, answering questions from LaQuita Long, an assistant district attorney, in the murder trial of former Dallas Police Officer Amber Guyger. Credit Pool photo by Tom Fox.

“The complainant was found lying on the ground in the apartment parking lot with multiple gunshot wounds,” the police said. “Dallas Fire-Rescue responded and transported the complainant to Parkland Memorial Hospital, where he died from his injuries. Several witnesses heard several gunshots and observed a silver four-door sedan leaving the parking lot at a high rate of speed.”
(Neil Vigdor, “Witness in Murder Trial of Former Dallas Police Officer Amber Guyger Fatally Shot, Lawyer Says,” NYTimes, 10-6-19)

The “complainant” was Joshua Brown.

(c) 2019 JMN

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Homepage | Dilbert by Scott Adams

The Official Dilbert Website featuring Scott Adams Dilbert strips, animation, mashups and more starring Dilbert, Dogbert, Wally, The Pointy Haired Boss, Alice, Asok, Dogberts New Ruling Class and more.
— Read on dilbert.com/

Parody Inversion Point

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The Dark Greys of Her Eyebrow

queen

Mr Cameron has released a book and spoken in a BBC documentary about his time in Downing Street. Getty Images.

Former PM David Cameron asked the Queen for “just a raising of the eyebrow even… a quarter of an inch” to convey opposition to Scottish independence in 2014. “I’ve already said perhaps a little bit too much,” he conceded recently. (“The Queen and David Cameron: What royal displeasure really means,” BBC.com, 9-19-19)

The Queen agreed with him. There’s an “understanding” about royal audiences, according to royal commentator Dickie Arbiter: Mums the word.

Royal correspondent Jonny Dymond reports the royal “displeasure” may be “something coming pretty close to real anger… It is difficult to imagine anything other than horror in the palace at David Cameron’s revelations.”

Pretty close, mind you. Verging on horror, if one can imagine. In the palace!

The Queen’s ostensible assignment is to swallow her tongue for all practical purposes. The Cameron case (amongst others) is said to highlight “the dark greys of the Queen’s constitutional position, the discretion she has or lacks [my emphasis], under extraordinary circumstances, to speak out and act.” Has or lacks! Take your pick.

Recent events suggest that the UK runs less on a written constitution than on a handshake amongst gentlemen. It’s an inconvenient truth in a post-gentlemanly age, nor does it make monarchy less baffling.

(c) 2019 JMN

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Ways of Looking

sontag

Moser’s deep dive into Sontag’s personal life and her work includes exploration of published and unpublished writings. Credit Sonny Figueroa/The New York Times.

Benjamin Moser has published “Sontag,” a biography of Susan Sontag. This favorable review of it left me mulling the following remark:

“Biography is a metaphor,” Moser said. “It’s not the person’s life; it’s writing about a person’s life. Just like a photograph — lots of people have taken photographs of [Sontag], and they’re all different. You have to find your way of looking at her, and this is my way of looking at her.”
(Nina Siegal, “A Big New Biography of Susan Sontag Digs to Find the Person Beneath the Icon,” NYTimes, 9-15-19)

Calling biography “metaphor” is interesting. In an age when persons blithely deny the nose on their faces, it would be comforting to fantasize that biography recounted events in a person’s life more than ways of looking at the person. It must be inevitable that biography would assume its place next to politics, history, and climate in this gaslit moment of counterfactual perspectivism.

(c) 2019 JMN

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