Tag Archives: painting

Trompe L’oeil

Posted on March 21, 2019 by JMN

“Painting objects and people as they actually appear….” (Andrew Ferren, “A 7-Hour, 6-Mile, Round-the-Museum Tour of the Prado,” NYTimes, 3-18-19) The phrase encapsulates my former goal: To paint something accurately, yet somehow enhanced: A simplistic, naive and ambiguous goal all … Continue reading →

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Embrace-Aversive

Posted on March 21, 2019 by JMN

Do I love this painting? Love is not a word I would use to describe my regard for Warhol, which is high. He and his art are too trouble-makingly elusive and embrace-aversive for that. But this is true of some … Continue reading →

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How Things Actually Appear

Posted on March 21, 2019 by JMN

Artists of the Spanish “golden age” in the 17th century seemed to delight in manipulating paint on the canvas to create dazzlingly realistic effects, such as the light shimmering on silk gowns in Velázquez’s “Las Meninas,” or the churning clouds … Continue reading →

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Vivian Browne

Posted on March 18, 2019 by JMN

In 1965, the artist, educator, and activist Vivian Browne (1929-1993) began a series titled Little Men. Considered her first major body of work, it consists of oil and acrylic paintings of white-collar middle-aged white men… They’re dressed in button-down shirts … Continue reading →

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Yes, It’s in Focus, I Think

Posted on March 18, 2019 by JMN

Suh Seung Won, a pioneer of the process-based Korean painting movement known as Dansaekhwa, or monochrome, started out with hard-edge, translucent rhombuses that evoke unreal architectural spaces. In the large-scale recent canvases comprising most of “Suh Seung Won: Simultaneity” at … Continue reading →

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“The Birth of the World”

Posted on March 17, 2019 by JMN

The artist André Masson once likened this large (8-by-6½ feet) canvas [“The Birth of the World” by Joan Miró] in its radicalness to Picasso’s “Les Demoiselles d’Avignon” of 1907. It is still startling that the two are only 18 years … Continue reading →

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“Eva”

Posted on March 8, 2019 by JMN
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“Casually Disrespected Boundaries”

Posted on March 7, 2019 by JMN

While living in Rome in the 1970s, Wally Reinhardt became infatuated with Ovid’s “Metamorphoses.” I like the idea that a person with no formal background or training can disrespect boundaries while creating work that seems unstable and undependable. “Back in … Continue reading →

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Bernard Gilardi

Posted on March 7, 2019 by JMN

As an obscure, untrained, uninspired painter closeted in a shed, I get a vicarious boost reading about painters who manage to wander into visibility from the sidelines — posthumously, most often, which is not the boosting part. “For more than … Continue reading →

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Crossed Out

Posted on March 7, 2019 by JMN

[The Brant Foundation Art Study Center in the East Village, New York City, opens with an exhibition of nearly 70 works by Jean-Michel Basquiat created from 1980 to 1987.] Other paintings pay homage to jazz greats like Miles Davis and … Continue reading →

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