Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Parting Looks — Buck Schiwetz

Edward Muegge “Buck” Schiwetz (1898 — 1984) (c) 2019 JMN  

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Parting Looks — Tom Jones

James Thomas “Tom” Jones (1920 — 2000) (c) 2019 JMN

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Parting Looks — Tom Jones

James Thomas “Tom” Jones (1920 — 2000) (c) 2019 JMN

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More Jesus for Me

Reading this interview with Stephen Colbert gave my day a good start. … I work very hard not to proselytize. I would never want anybody to think I was trying to convince them of my point of view. Because, hey, … Continue reading

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Language As Landscape

“Deadwood” (HBO, 2004-2006) created by David Milch, repelled and astounded me when I caught it adventitiously in re-run several years ago. I couldn’t look away from it as I kept thinking, “What the hell is this? It’s amazing!” I told … Continue reading

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More Wit, Less Affirmation!

Jessa Crispin cites two writers to illustrate the distinction she draws between aphorism and affirmation. Aphorism: “He who fears death will never do anything worthy of a man who is alive.” (Seneca) Affirmation: “I do not need the kind of … Continue reading

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Poetry for the Kitchen Slops Bucket

Lucasta Miller is the author of “L.E.L.: The Lost Life and Scandalous Death of Letitia Elizabeth Landon, the Celebrated ‘Female Byron.’” Landon’s “scandalous” death occurred at her own hand with prussic acid at age 36. Even today, Letitia Landon provokes … Continue reading

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Guide by the Perplexed — No Money Shot

An old advertising tag-line for an investment firm was voiced by the British-American actor John Houseman: “We make music the old fashioned way; we earn it.” Houseman, of course, said “money,” not “music.” In my effort to show with strong, … Continue reading

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Francophilia

Where I live I have not encountered in recent memory an American who knows, or wants to know, French. Roger Cohen’s encomium to the language and culture is touching. It’s poignant to share French love with another outsider. To be … Continue reading

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Second Take

Learning something about a picture — how it’s made or its origin, for example — can trigger or enhance appreciation. I wonder if an artist really wants that? Wouldn’t he or she prefer that the work commune directly and totally … Continue reading

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