Tag Archives: style

‘A.I. Imagery Is Hollowing Out the Very Basis of Depiction’

The beech tree [German Buche] is a witness, a bystander, a memorial. A collection of them would be a beech forest, or Buchenwald. Today we are cursed… to live in a time of extreme image hyperplasia. Computationally produced pictures (there … Continue reading

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‘We’re More Than the Sum of Our Camera Rolls’

“I simply think that we have not yet got over the Romantic epoch. Romanticism is far from dead. Exactly like fascism.” (Gerhard Richter, 1973) … He began to paint directly from photographs: family album pictures, clippings from newspapers or encyclopedias, … Continue reading

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Purulence, Pus, Matter? Anointed or Kohl’d?

I was sleepless, and I passed the night keeping vigil, as if my eyes had been anointed with pus, […] That’s Arberry’s reliable translation of line 1 of the sixth-century elegy on the death of her brother Sakhr by the … Continue reading

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Never Too Many Books

… Peter-Ayers Tarantino[’s aesthetic] recalls that of maximalist bibliophiles of centuries past, including Marcel Proust and Johann Wolfgang von Goethe, was formed during a life on the road. In the Abstract Expressionism section, Tarantino extracts, almost without looking, a thick … Continue reading

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And One More Thing…

I adore compression and spareness, and Infinite Jest, finished at 7:29PM on 11-16-25, is bloated and prolix. It tells you something that it’s a novel with footnotes. Hundreds of them. During the periods when I ground my teeth, it tracked … Continue reading

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Rooms That Photograph Like Paintings

“I’m going to hesitate and say it’s settled into what it’s meant to be.” (Martyn Thompson) I was taken with the handmade rooms in Martyn Thompson’s Sydney, Australia home. They’re atmospherically profiled in the photographs. Each shot has a painterly … Continue reading

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Untie These Hidebound Eyes, Unbind These Hogtied Hands

Jason Farago-rhymes-with-Chicago writes a deep, reflective appreciation of Cézanne’s work, calling Cézanne the first painter he ever loved.  BC*: For six centuries, ever since some scientifically minded Florentines had developed rules of perspective that made art look more like life, … Continue reading

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‘His Technique Can Be Potently Slapdash’

If the images in the survey feel more like news than comment, that’s partly because we can sense the press photos Shahn used as his sources. Though his paintings themselves aren’t close to photorealistic — his technique can be potently … Continue reading

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Reading ‘Reading Ulysses in Montana’ in Texas

Delving Yardbarker is the nom de guerre of the creator of “Reading Ulysses in Montana.” As with Luvgood Carp, it gives me pleasure each time I say “Delving Yardbarker.” Sonorous, compressed, quirky, inventive, mischievous, literate, subversive, diverting, intriguing, outrageous, prolific, … Continue reading

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An Unbosoming: On Cohesion

Wehr lists anatomical English equivalents for Arabic noun ṣadr, plural ṣudūr, as: chest, bust, breast, bosom. (Heart is an outlier, clearly metaphorical.) At a tender age I heard my grandmother refer to ladies’ “bosoms.” Context nudged me to associate “bosom” … Continue reading

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