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Tag Archives: style
Pronoun Rebellion (2)
(Continued from https://ethicaldative.com/2022/01/22/pronoun-rebellion-1/) Wallace Stevens said of his poem “On an Old Horn” that, if he had succeeded in saying what he had to say, the reader would get it. “He may not get it at once, but, if he … Continue reading
Posted in Anthology, Commentary
Tagged grammar, language, poetry, reading, rhetoric, style
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Pronoun Rebellion (1)
It’s apparent that contributors to Poetry magazine compose their own biographical snapshots, which allows for a gamut of voicings and modes of self-assertion. A grammar nerd notices how these established and establishing technicians of the word mold language to their … Continue reading
A Confounding Clarity
Proliferation of phrases: — A turn of speech makes my point vividly — I’ll use it. But this other phrase is pungent — I’ll use it too. Yet another is incisive; and one is innovative; and one wry; this one … Continue reading
Posted in Anthology, Commentary
Tagged language, personal, poetry, reading, rhetoric, style
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Poetic Researches
Is the soul our dark matter — pervasive but undetectable by any instrument we possess? If there’s a part of me that isn’t glia, neurons, and enzymes, it has found a modicum of rest in the revelation that John Ashbery’s … Continue reading
Posted in Anthology, Commentary
Tagged John Ashbery, language, personal, poetry, reading, rhetoric, style, writing
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Marlene Dumas: ‘Art Is Not a Mirror’
This article gives a stimulating sample of Marlene Dumas’ painting. Here’s a whiff of its curatorial patter: “She is a master, in the classical sense: she makes masterpieces”… Dumas [takes] us somewhere beyond prosaic materiality… “[Faces and portraits by Dumas … Continue reading
Fabulousness and Traps
Here’s a vibrant pulverization of Smith-song around the paintings of Beauford Delaney (1901-1979): Robust impasto surfaces… startling colors… visionary buzz… new kind of painterly fabulousness… sturdy realism overloaded with color… something of an Egyptian immobility… crisis-crossing strokes [sic: Is “criss-crossing” … Continue reading
Jenny Saville: ‘Humans Are Just Drawn to Eyes’
Jenny Saville speaks in all the quotes here. Italy is a country of figuration, so I feel very at home here — but it was intimidating. I got through by really looking at Michelangelo… I started to do direct studies … Continue reading
‘A Gloriously Unsatisfied Painter’
Brobdingnagian ocular hubbub. Colossus of hue and scream. Tympanic boom. These phrases leapt to mind — of course they did! — as I eyed Sarah Cain’s work. Confession though: Cain owns me for rejecting the term “murals” in favor of … Continue reading
“I’m Trying to Overwhelm the Museum,” He Said
[Adam] Pendleton, 37, is best known as a painter of abstract canvases in a distinctive black-and-white style that challenge how we read language. Made using spray-paint, brush and silk-screen processes, they incorporate photocopied text, words unmoored from context, letters scrambled … Continue reading
EthicalDative 
Pronoun Rebellion (3)
A man’s word is his bond. It’s an aphorism. States a pithy truth, along the lines of, “When someone makes a promise, he keeps it.” This one floats a model of behavior, an ideal. Not a command, exactly, but it … Continue reading →