Tag Archives: style

Notes on Poetry (‘Expressing the Unsaid’)

He was so handsome, so fine and flinty and long-boned, that he was a shock to be around — he made people stupid, or teary, or angry or skin-starved, sometimes all at once. (Dwight Garner) (Dwight Garner, “Sam Shepard and … Continue reading

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Lie, Lay, Etc.: Humdrum Conundrum

I always lay my keys on the table when I get home. I laid them there an hour ago. They lay there undisturbed last night, and they’ll lie there tomorrow until I need the car. Using lie-lay-lain and lay-laid-laid according … Continue reading

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Pausing With Your Eyes

I’ve looked into what the exaggerated gaps between words or phrases in lines of verse are all about, curious whether or not they should affect my reading and, if so, how. A writer named Emilia Phillips calls them visual caesuras … Continue reading

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Ann Lauterbach’s ‘Door’: Trouble Me, Poet

A noun or pronoun, with a participle in agreement, may be put in the ablative to define the time or circumstances of an action. This construction is called the Ablative Absolute… The Ablative Absolute is an adverbial modifier of the … Continue reading

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Drawing in the Dark

… As a young artist living in Georgia, he spent nights alone in a dark room, teaching himself to draw without the meddling of his eyes. Unlearning is still a kind of learning. (Jackson Arn) (Jackson Arn, “Cy Twombly, the … Continue reading

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Gender Reveal Vagary

The byline for a good essay in The New York Times is “Abraham Josephine Riesman,” tagged as follows: Mx. Riesman is a journalist and the author of a biography of Vince McMahon. It’s my first encounter with “Mx.” in The … Continue reading

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To Be or Not to Be That, Is the Question

You’ve been punctuated! In my title, moving the pause (caesura) signaled by a comma turns Hamlet’s proposition into something different. Whatever “that” may be, being it or not being it is what’s now in play. The New York Times publishes … Continue reading

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Can This Be Poetry? It’s Direct, Clever and Fun!

Poetry, February 2023, celebrates William J. Harris (still living). Reading the issue’s portfolio of Harris’s poems gave me some laugh-out-loud moments. Here are two (in full): On Wearing EarsAs long as peoplecontinue to wearearsthere won’tbe muchpeace and quietin this world. … Continue reading

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The French Are Okay with Being ‘The French’

“We recommend avoiding general and often dehumanizing ‘the’ labels such as the poor, the mentally ill, the French, the disabled, the college educated.” (Tweet from The Associated Press Stylebook) How “the French” constitutes a “label” left many French people mystified. … Continue reading

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Who’s Getting Laid in This Picture?*

“Organised chronologically, Matisse in the 1930s begins with a look at the Nice period, exemplified by his voluptuous Odalisque with Grey Trousers (1927). A seductive model in harem pants lays on a green bedroll, surrounded by brilliant red and yellow … Continue reading

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