Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Paint-by-Numbers

For art critics, painting-by-numbers was, and is, a byword for robotic repetition and unoriginality… (Jonathan Jones, “From Warhol to minimalism: how painting by numbers revolutionised art,” The Guardian, 4-5-19) At some point in my pre-teen years I was given a … Continue reading →

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“Perverse Obliqueness”

Brexit defies me as much as my native political scene defies me. Anomalies aside, I find here a stretch of forceful writing to savor for language’s sake. I came to attention from “carapace” forward. What follows illumines for me something … Continue reading →

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“All right — take the picture!”

Annie Leibovitz’s latest exhibition of her photography is Annie Leibovitz: The Early Years, 1970-1983. It includes a shot of Henri Cartier-Bresson, one of her idols, during her time roaming Paris as a budding photographer. The notoriously camera-shy Frenchman glares into … Continue reading →

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Some Fizz for ‘Fissile’

“That’s Alex Jones’s M.O.,” Owens said of the deposition. “To flood any topic with confusion and doubt so no one can grab onto anything.” But under oath, Mr. Jones’s tactics fissile. (Charlie Warzel, “Why Courtrooms Are Kryptonite for Alex Jones,” … Continue reading →

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Stubborn Repetition

In my own modest easel practice I’m trying to psych myself into painting a subject more than once. Artists I admire do it. Real artists. They dwell and go deep; obsess, in a good way. I’m afraid I have a … Continue reading →

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Dyspeptic Rumination

A French aphorism says, “Plus ça change, plus c’est la même chose”: “the more it changes, the more it’s the same thing.” It’s sometimes paraphrased in English as, “The more things change, the more they stay the same.” My comments, … Continue reading →

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Cartoon Transfer Technique

The article is about Raphael’s preparatory cartoon for his fresco “The School of Athens” in the Vatican. What caught my eye in particular was mention of the method used to transfer the image to the walls. Its value must have been … Continue reading →

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Scott Walker (1943-2019)

As a latecomer to Scott Walker’s music I’ve only scratched its surface. The admiration other artists have expressed for his solo work makes me want to hear more. I want to appreciate the zone of listening that stretches from the … Continue reading →

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Van Gogh in London

A new exhibition at Tate Britain, “Van Gogh and Britain,” opens March 27, 2019. This article causes me to think somewhat differently about van Gogh. Of several good illustrations it contains, I chose the painting reproduced here because I’ve never … Continue reading →

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To ‘E’ or Not to ‘E’

A silly title, yes. I get pleasure from reflecting on minutiae of language — syntax, spelling, grammar, etymology, what have you. Language is part of “what makes us us,” to borrow Jacinda Ardern’s clarion phrase. It’s worth talking about. If … Continue reading →

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