Author Archives: JMN

Unknown's avatar

About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Pride Goeth Before a Parade

They say: A man who can’t tell shoe polish from shinola is fit to be tied by time and the tide. It’s one of those old sayings they say is never insufficient to the day thereof.  They say: A stitch … Continue reading →

Posted in Anthology | Tagged , | 2 Comments

Manifest MAEGAN

Make American English Great Again Now  — MAEGAN — is a sweet hotrod of a movement, a screaming dragster with four-barrel carburetor smoking the shithole competition wherever jalopies duke it out. The Nineteen-Fifties burn rubber in the Twenty-Twenties like there’s … Continue reading →

Posted in Anthology | Tagged , | 3 Comments

Nice Day. Be a Shame You Didn’t Have One.

Where the living language is concerned, which let’s face it. So.  Can you spot the tuber posing as a goober? What about a dangled thought left to? Hip to messaging that carries false report? Words happening metaphorically, knot in real … Continue reading →

Posted in Anthology | Tagged | 2 Comments

‘His Technique Can Be Potently Slapdash’

If the images in the survey feel more like news than comment, that’s partly because we can sense the press photos Shahn used as his sources. Though his paintings themselves aren’t close to photorealistic — his technique can be potently … Continue reading →

Posted in Quotations | Tagged , , , | Leave a comment

‘That Falls Well’: Cartoon Paean Times Three

As a kid studying high school French, I read with delight Mark Twain’s depiction of an American’s attempt to converse with a Frenchman. Twain wickedly renders the Frenchman’s remarks in literal English, alongside his own fractured French, to comic effect. … Continue reading →

Posted in Commentary | Tagged , , | 1 Comment

Toyin Ojih Odutola Draws Loud

I like how Toyin Ojih Odutola assembles faces from facets, a treatment I strive increasingly, if feebly, to approximate. I describe it to myself in personal shorthand as “envisaging”: implementing visage as a sort of ‘scape rather than anatomical likeness … Continue reading →

Posted in Commentary | Tagged , , , | 5 Comments

‘O Brute May I Come In, O Brute You May’

My treatment of Mitchell Glazier’s “The Gazing Ball” (Poetry, May 2025) wasn’t fit for purpose because it came across as testy and dismissive. I’m not equipped nor disposed to be a poetry critic, only a consumer with thoughts. And my … Continue reading →

Posted in Anthology | Tagged , , | 2 Comments

Queenly Swans Are Nudging Eternity Figs

What the hell is going on in “The Gazing Ball”?  I had to lock horns with Mitchell Glazier’s poem (Poetry, May 2025) and break it down robustly in order to reach a fragile accommodation. I’ve come to expect having to … Continue reading →

Posted in Anthology | Tagged , , | 11 Comments

Purloining With Pizzazz: Wayne Thiebaud

This copying work helped Thiebaud figure out his own solutions to artistic problems. I blush to own it, but I was never keen on pointillism. For all that it purported to be scintillating, it has a diffuseness that feels static. … Continue reading →

Posted in Commentary, Quotations | Tagged , | 8 Comments

The Future Walks on Baby Feet

Here’s my English reading of “Contar Cuentos” (Telling Stories), a poem written in Spanish by Azurea20 published at LA BANCARROTA DEL CIRCO on April 27, 2025. TELLING STORIESMy memory invents you,strips you nakedtells itself stories,closes your eyes,obliterates your mouth,discovers verbs … Continue reading →

Posted in Anthology | Tagged , , , | 4 Comments