Category Archives: Commentary

Opinion or analysis concerning whatever’s on my mind.

Un-Contained

Posted on June 25, 2024 by JMN

The text is Marvin K. White’s “From Containment to Expansion: A Tenderloin Meditation in Two Parts” (Poetry, July/August 2024). Part 1 contains 82 the’s, 41 does not contain’s and 41 pairings that span the elemental (sun-fire), the metaphysical (circle-infinity), the … Continue reading →

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Protect the Rim, Kill the Note

Posted on June 15, 2024 by JMN

I got a charge out of Ernie Barnes’s painting titled “Protect the Rim.” The surreally long figures, the lofty rustic hoop, and even the knocked-together frame all have a quirky charm. In a parallel world, my grandmother’s capacious lungs powered … Continue reading →

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Raise Your Hand If You Know What ‘Paratactic’ Means

Posted on June 12, 2024 by JMN

In an essay, Meghan O’Rourke writes the following: Ambivalence is, like so much poetry, paratactic. (Poetry, June 2024) Ambivalence is a state of mind characterized by mixed feelings. Parataxis is a rhetorical move. It daisy-chains independent clauses, leaving it to … Continue reading →

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Posted on June 5, 2024 by JMN

This blog nets it out. You rarely sacrifice more than three minutes to EthicalDative: Bish, bash, bosh. <Instant of Appreciative Reflection> Smash LIKE. You’re done. PS: A supportive comment can substitute for the canonical <Instant of AR>. Be so kind? … Continue reading →

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‘I Don’t Agree With What I Said’

Posted on June 2, 2024 by JMN

In a delicious Onion skit a befuddled member of a clueless television news panel ends up saying, “Yeah, I don’t agree with what I said!” It’s a wicked sendup of vacuous cable news, but also sparks a thought: What if … Continue reading →

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‘The Brushstrokes Don’t Make Shapes’

Posted on May 25, 2024 by JMN

Chuck Close’s approach to painting is intriguing. It’s as if he invented pixellation avant la lettre. “This new body of work is more abstract, and quieter than any previous ones,” Close told the artist Cindy Sherman in a 2018 interview. … Continue reading →

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Red Alert: Portrait Riot!

Posted on May 16, 2024 by JMN

I warm to Jonathan Yeo’s smoldering rendition of Charles the Third for the fastuous havoc it wreaks on canvas, not to mention expenditure of fiery pigment. It will inflame disdain in all the right quarters, though reportedly not in his … Continue reading →

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‘Six Persimmons’: Asymmetry and Ambiguity

Posted on May 15, 2024 by JMN

In a show called The Heart of Zen, “Six Persimmons” was displayed for three short weeks in late 2023 at the Asian Art Museum in San Francisco. It was “painted with ink on paper in the 13th century, probably by … Continue reading →

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Training Color to Speak for Itself

Posted on April 27, 2024 by JMN

Inspired by the theorist Michel Eugène Chevreul — whose 1839 treatise on color harmony is on display in this show — Sonia [Delaunay] and her fellow pioneers in abstraction had to train the individual elements of color, such as contrast … Continue reading →

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‘There’s Nothing There Except the Pictures’

Posted on April 25, 2024 by JMN

The artist Jim Nutt has been making a version of this imagined portrait for the last 40 years, a mode that has dominated his practice… His women never age, never seem to dislodge from a midcentury stylistic amber: all wearing … Continue reading →

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