The Best Way to Enjoy Movies

www.theguardian.com/commentisfree/2019/feb/10/why-didnt-liam-neeson-just-stick-to-script

The best way of enjoying a film is to know nothing at all about the actors. Except that they’re famous and good sports.

(David Mitchell, “Why didn’t Liam Neeson just stick to the script?”, The Guardian, 2-10-19)

I’m too lazy to investigate every single unfamiliar word I encounter, but after sliding over a subheading several times that said an actor “hung out with a cosh,” I finally had to look up “cosh” (then read the article): Merriam-Webster says, ‘(Chiefly British): a weighted weapon similar to a blackjack.’ Cosh closed.

(c) 2019 JMN.

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“Electronic Munt”?

www.youtube.com/watch

Sleaford Mods have described their work as “electronic munt minimalist punk-hop rants for the working class.”[1] Williamson is responsible for the words, Fearn for the music. Sleaford Mods songs have been described as embittered rants about such topics as unemployment, modern working life, celebrities and pop culture, capitalism and society in general.[19] The lyrics usually contain profanity, which is, according to Williamson, the way in which he speaks and “not just fucking swearing”.[19] Fearn’s music has been described as “purgatorial loop[s]” of “pugilistic post-punk-style bass; functional but unprepossessing beats; occasional cheap keyboard riffs and listless wafts of guitar.”[20] (“Sleaford Mods,” Wikipedia)

(c) 2019 JMN.

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Widely Accepted Attribution Standard

www.theguardian.com/media/2019/feb/07/jill-abramson-plagiarism-accusation-merchants-of-truth

Abramson has defended herself by saying that her book includes extensive endnotes, including web links to sources. It is widely believed that an outside source should be credited in the body of the work if there is a close similarity.

(Cc 2019 JMN.

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Australian Bub Sledging

www.theguardian.com/lifeandstyle/2019/feb/07/voting-in-cute-baby-competition-halted-after-parents-slam-hideous-rivals

Public voting in an Australian clothing company’s baby pageant competition has been cancelled because of out-of-control parents sledging the appearances of other parents’ infants.

(c) 2019 JMN.

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Candid Ambivalence About the Grammys

www.theguardian.com/music/2019/feb/08/brandi-carlile-grammys-country-gay-marriage-cancun

Does she want to win? “Oh my God!” [Brandi Carlile] says, as though the thought actually hasn’t crossed her mind. “I don’t know if it’s about wanting to win. I fucking care so much about the nominations. I’m never going to be one of those people who plays it off. I wanna wear the right clothes, I wanna have a great time, I wanna drink champagne. I don’t know if I’m gonna win. I don’t know if I wanna win. But I know that I don’t wanna let anyone down.” Her smile starts to look a little pained, a smidgen sad. “I just don’t wanna feel embarrassed,” she says. “I hate feeling embarrassed.”

(c) 2019 JMN.

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“All important problems are insoluble”

nyti.ms/2UPbVSf

[Arthur M. Schlesinger Jr. in his 1949 book “The Vital Center”] himself acknowledged that the center could never occupy a fixed location, and that it would continue to adapt to new challenges; “all important problems are insoluble,” he wrote. “The good,” he concluded, “comes from the continuing struggle to try and solve them,” and from keeping in mind “the spirit of human decency.” These were meant to be values of the center, but they can seem nothing short of radical today.

(Quoted by Beverly Gage, “The Political ‘Center’ Isn’t Gone — Just Disputed,” NYTimes, 2-7-19)

(c) 2019 JMN.

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What’s an Antonym for “Draconian”?

www.theguardian.com/technology/2019/feb/08/jeff-bezos-blackmail-national-enquirer-trump

But in the wake of the new revelations the Associated Press has reported that federal investigators are now looking at whether the recent revelations mean AMI [publisher of the National Enquirer] has violated that agreement. The agreement requires AMI commit no crimes for three years.

(Cc) 2019 JMN.

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Gucci Goo: SIC-ening

Gucci balaclava

The Gucci balaclava jumper, which has been withdrawn from sale. Photograph: Gucci

THIS JUST IN: British Journal “Sic”s American Spelling of Italian Press Release”

“… We are fully committed to increasing diversity throughout our organization [sic].”
(Gucci)

(Morwenna Ferrier, “Gucci withdraws $890 jumper after blackface backlash,” The Guardian, 2-7-19)

(c) 2019 JMN.

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Stinky Smelly Words

I recently posted a quotation from a profile of a grammar and style guru who was unable even to pronounce aloud the words “stinky” and “smelly” for the interviewer. He found them that repellant. A fellow blogger contributed “feet” as a word she personally tries to avoid. After some thought I’ve come up with two words that make me squirm slightly: “poo” and “crotch.”

Now “stinky” and “smelly” are anatomically neutral. They’re equally suited to ripe cheeses, gym socks, and the air in Galena Park. “Feet” are anatomical, of course, just not associated with a feature I had heretofore thought squeamish-making. Potentially stinky and smelly, yes. (I remember now, however, that I once had a close friend who was notably self-conscious about her feet, considering them her least attractive feature. I found them attractive.) My two words, on the other hand, designate the less noble functions and parts of the body. I’m not sure, therefore, whether it’s the words themselves, or their associations, that I react to. “Poo” in particular irks me as a word because it just seems uselessly puerile. Say (or write) “poop” and be done!

Another close friend, a fellow grad student and now a distinguished translator, once balked in disgust at uttering a menu item at an IHOP restaurant. “I’ll have that,” she said, pointing. It was either the “Moons Over My Hammie” for ham and eggs sunny side up, or the “Rooty Tooty Fresh ‘n Fruity” pancakes.

The Victorian orientalist Richard Burton translated the “Arabian Nights” from Arabic to English. I think his version may be in the Modern Library series, but probably expurgated. The tales are famously frank in their descriptions of sexual activity. Sir Richard is said to have invented the term “fudder” to designate coitus. It euphemistically avoided (in his view) the ancient Anglo-Saxon word available to him. My problem with his solution is this: A statement such as “They fuddered all night” seems no less raunchy, and in addition it provokes almost uncontrollable laughter. But I’m no Victorian. Burton’s widow destroyed the bulk of his papers. A great loss.

The 19th-century European scholars I used to consult in my Hispano-Arabic researches had a habit of lapsing into Latin to render salacious passages from medieval Arabic texts, especially those written by women, if they rendered them at all. I made a fleeting career, of sorts, from shedding plain English light on such passages and voices, but reading my papers at conferences could be a discomfiting experience for me and the audience because of the stinky smelly words.

(c) 2019 JMN.

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Fretwork: Positions

(1) Positions refer to the left hand (on a right-handed guitarist). The left hand is the hand that fingers notes and chords on the fretboard.

(2) The following is from Wikipedia: In the left hand, each finger is responsible for exactly one fret. For each hand-position of four frets, the left hand is stationary while its fingers move… The ‘nth position’ means that the hand is positioned with the first finger [the Index] over the nth fret.

(3) Reminder: Conventional numbering for guitar strings is:

E = 1, B = 2, G =3, D = 4, A = 5, E = 6

(4) My homespun code for the places you put your fingertips to produce notes is SFN, “string-fret-note.” Example: ‘11F’ says, “Finger string 1 at fret 1 to produce an F.” Note: A “zero” fret means an open string — one not fretted.

(5) Here’s how the code would depict playing of a C scale in Position 1:

53C-40D-42E-43F-30G-32A-20B-21C

Notice the following:

a. String 6 (low E) is mute. (Its first C is on fret 8, which is beyond Position 1.)

b. Scale-note C launches on string 5 (the A string) at fret 3.

c. Notes D-E-F are all played on string 4 (the D string) first open, then at frets 2 and 3.

d. Notes G-A are played on string 3 (the G string) first open, then at fret 2.

e. Notes B-C (completing the octave) are played on string 2 (the B string) first open, then at fret 1.

(c) 2019 JMN.

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