“The Self-Defeating Rage of the Old”

edgerton

Shonagh Rae.

The young people of England, like those in the rest of Britain, … understand we need liberation from the practices of Westminster and Whitehall, not Brussels, and from the self-defeating rage of the old.

David Edgerton, a British historian, writes: “The ‘United Kingdom’ is neither ancient nor stable.”

After 1945, “Britain” — a national United Kingdom — was one of many post-imperial constructions that emerged from the ashes of the British Empire… This national United Kingdom was broken up economically starting in the 1970s by the closely related processes of globalization and deepening economic integration with Europe.

Edgerton argues that the U.K.’s dissolution, which may be likelier after Brexit, could ultimately be beneficial for each country — Northern Ireland, Scotland, Wales and England.

Despite its being the dominant nation in the United Kingdom, the arrangement hasn’t been good for [England]. It doesn’t have a sense of itself as a nation to be transformed and is divided between the vibrant, youthful and pro-European big cities — especially London — and the aging, stagnating and anti-European rest of the country.

(David Edgerton, “Boris Johnson Might Break Up the U.K. That’s a Good Thing,” NYTimes, 1-10-20)

This is my first encounter with a somewhat positive vision of a conceived post-U.K. future.

(c) 2020 JMN

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Feminized Heroes

Images of historic persons have been depicted recently in novel ways by artists in Mexico and in Canada. Both cases have a gender-fluid slant; the contrast in public reaction in each country is notable.

zapata

The work is part of an exhibit about Zapata in one of Mexico City’s premiere arts venues, the Fine Arts Palace. Photograph: Eduardo Verdugo/AP.

Emiliano Zapata, betrayed and killed in 1919, was a hero of the Mexican Revolution, an advocate for landless peasants. Artist Fabián Cháirez depicts a naked Zapata astride a white horse, wearing high heels “while his lips pout beneath his distinctive curved moustache.” His sombrero is pink.

This isn’t freedom of expression, it is debauchery! It’s degrading. They can’t exhibit our history that way,” fumed Antonio Medrano, a spokesman for the protesters. “They can’t permit this kind of mockery.”

“… We are not going to allow this,” said Jorge Zapata Gonzalez. “For us as relatives, this denigrates the figure of our general – depicting him as gay.”
(David Agren, “Nude portrait of Emiliano Zapata in high heels sparks fury in Mexico,” theguardian.com, 12-11-19)

Fabián Cháirez said he had the idea for the painting after noticing that in most representations “Zapata’s masculinity is glorified. There are some people who experience discomfort from bodies that don’t obey the rules. In this case, where is the offence? They [the protesters] see an offence because Zapata is feminised,” he said.
(“Protesters storm museum over naked Zapata painting, http://www.bbc.co.uk, 12-11-19)

Meanwhile, the Metropolitan Museum of Art exhibits without incident the paintings of Canadian artist Kent Monkman, 54, “one of Canada’s best-known contemporary artists.” Monkman is of mixed Cree and Irish heritage.

monkman

In Mr. Monkman’s paintings, Indigenous people are mostly proactive figures shaping the world around them. Miss Chief Eagle Testickle, in heels, provides a rescuing hand in “Welcoming the Newcomers.” His sources include Courbet and Titian. Credit…Kent Monkman.

His paintings, done in a crisply realistic, highly detailed, somewhat cut-and-paste illustrational style, are far from grim. In many of them, humor and erotic, usually homoerotic, fantasy have an important role. So does the image of the artist himself in the guise of his alter ego, a buff, cross-dressing, gender-fluid tribal leader named Miss Chief Eagle Testickle.
(Holland Carter, “A Cree Artist Redraws HIstory,” NYTimes, 12-19-19)

It’s hard not to see some fun being had in the work of both painters, and to share in it.

(c) 2019 JMN

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Relative Generality

writing plume

When you reach a fork in the road
Pick it up like Einstein thought in nineteen-oh-seven
At his business of therefore’s that

People in free fall do not feel their own weight
Equals floating in gravity-free space
So no work force of gravity in either state and

Resting in gravity feels like one G of acceleration
And the feel of both is the same so
Both must have the same cause and therefore

Big-like-Earth things curve space and time and
Gravity, where the curve is — there! — itself arises
And — there! — acceleration feels like resting and

Light-beams acceleration bends in spaceships also
Mass bends like sun-bent starlight lends a cosmic lens on
That! — what the same thing causes.

(c) 2019 JMN

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Dream

Glass mountains

Glass Mountains, West Texas

I once said to my dad in a dream, “What did you think? That you fucked my mother and got an idiot?”

I was cooking an elaborate turkey stuffing in my mother’s kitchen to celebrate for the umpteenth time their hoary divorce. Perhaps I had opened the oven door once, twice, or thrice to check on my concoction.

He admonished me that each time I opened the oven door I was letting heat escape, which inhibited the cooking process. I wanted to tell him that even in middle age I understood escaped heat, but I needed to see how my stuffing was doing.

So I said it in a dream years after he died.

That I can conceive of talking to him like that hurts me in a sense. I wonder if it does him also? Such language would have fetched me a licking as a kid.

He’s a crock of ashes in a shallow hole in West Texas now. Can he hear me tell him I was offended? Religion only knows what the dead hear.

(c) 2019 JMN

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Hard to Handle

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The Eye in Love

eye in love

Adèle Haenel as Héloïse, right, and Noémie Merlant as Marianne in “Portrait of a Lady on Fire,” a film directed by Céline Sciamma. Credit…Neon.

This review treats several films about gay female love. The reviewer is a film maker. Noteworthy for me is her emphasis on the ocular dimension of romantic attraction. The use of “one’s self” instead of “oneself” for the reflexive pronoun is distinctive.

[The] initial deception is conveyed through the intent, searching looks Marianne casts toward Héloïse and the curious, wary glances Héloïse returns to her… To flirt as a queer person is to immerse one’s self in the act of looking and being looked at… The woman who is being looked at must look back at the woman looking at her for any real connection to take place. And the look she gives has to be one that communicates not only pleasure in being looked at, but pleasure in what she sees… The light in their eyes during stolen moments alone together… “Rafiki” captures the electric stares and ensuing relationship between a young couple… The couples in each of these films are forced by circumstance to engage in romance covertly, yet what comes through in the performances is the pleasure of being — truly — seen.

Also of note in a head-scratching way is the treatment of “Rafiki” by the authorities:

… The Kenya Film Classification Board banned the film because of its “clear intent to promote lesbianism in Kenya contrary to the law” — in May, the nation’s high court upheld laws criminalizing gay sex — though the ban was temporarily lifted last year so that it would be eligible for an Academy Award.

(Ren Jender, “‘Portrait of a Lady on Fire’ Understands Queer Desire,” NYTimes, 12-9-2019)

(c) 2019 JMN

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Gallimaufry

Adverbs Ahead

Confused Jumble Ahead

Inauthentical Inadvertency
Twitter and Facebook took down numerous accounts internationally for “coordinated inauthentic behavior.” Twitter disclosed that “email addresses and phone numbers uploaded by users to meet its security requirements may have been ‘inadvertently’ used for advertising purposes.”

Trumpical Subjunctivity
“We might wish, at times, that Mr. Trump were a little less juvenile, or insensitive, or hypersensitive; but we might also wish that every president achieves [bolding added] perfection.” [Wishes are subjunctive. Write achieve.]

Sayable Nameness
Ta-Nehisi Coates is pronounced tah-nuh-HAH-see kotes.
Ntozake Shange is pronounced intoo-ZAH-kee SHAN-gay.

Parenthetical Divinity
A suit filed by a former Miami TV reporter alleges age discrimination. The reporter says that when she complained to the HR director she was told: “’We must rely on the man upstairs’ (God) for help.”

Visionary Wonkery
… Wonkery, a vision of competence and expertise… in which there are assumed to be “correct answers” to policy dilemmas that a disinterested observer could acknowledge and the right technocrat achieve.

Blokey Naughtiness
[Lunch at Sweetings, London] It’s quite City, quite blokey… The food was better than I thought it was going to be… The haddock and egg was perfect. A nice bit of frozen peas on the side – I love frozen peas. Then we had sticky toffee pudding and custard, and then Welsh rarebit with a bit of poire William… It was one of those early midweek, naughty lunches, when you’re in high spirits right from the off.

SOURCES
Davey Alba, “Twitter Suspends Account of Former Advisor to Crown Prince,” NYTimes, 9-20-19.
Reuters, “Twitter Stock Plunges After Earnings Are Worse Than Expected,” NYTimes, 10-24-19.
Robert J. Shiller, “How Lying and Mistrust Could Hurt the American Economy,” NYTimes, 11-8-19.
Philip Terzian, “Trump’s Rhetoric Has Its Precedents,” 12-9-19.
Meg James, “‘Mocked’ by her bosses, award-winning CBS TV reporter was fired. Then she sued,” Los Angeles Times, 12-8-19.
Ross Douthat, “Exhausted With the Experts,” NYTimes, 12-7-19.
Killian Fox, Holly O’Neill, and Molly Tait-Hyland, “‘Utterly delicious’: top chefs on the best thing they ate in 2019,” theguardian.com, 12-8-19.

(c) 2019 JMN

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