Nick Ferrari Hobnobs With Toffs at the Garrick Club

“Toff Hats,” oil on canvas, 11 x 14 in. (JMN 2024).

Just the other day I spied Reginald-now-Lord Fairfax at his usual perch in the smoking room of the club. I greeted Reggie, ordered a brandy, and inquired after his father-in-law Rufus-now-Lord Driscoll, whose alleged dalliance with a domestic has triggered virtue signaling by the wokerati. We were joined by James-now-Lord Harrod and Mark-now-Lord Spencer, and commenced chatting amiably.

Dinner done in the dining room, our lords’ circle grew apace. Soon we were engaged in a right old argy-bargy as to whether the party’s fiscal rules were being applied with commendable stringency by the Chancellor of the Exchequer.

Jacob-now-Lord Roose-Mabbs groused about how much lucre was being spaffed cavalierly on education and health care.

Wallace-now-Lord Tinsdale flushed up (he was on his next brandy). “Alistair-now-Lord Winchester is a safe pair of hands!” he honked. “The Exchequer is well manned and ably steered. I’ll brook no contrary…” and his voice trailed off with a glare.

“Sufficient unto the day is the austerity thereof,” said Jeremy-now-Lord Bentley. “Spare the rod, spoil the commons.”

The generality nodded importantly. Only stout Hugh-now-Lord Mauberly begged to demur, chuntering on in his usual fashion about how fiscal probity was a thing of the past and today’s lot were Tory in name only. “My gamekeeper could operate the NHS more efficiently!” he averred.

“Hear, hear!” chimed Roose-Mabbs.

Wellbred laughter rippled through all and sundry, echoing in the softly lit room.

(c) 2024 JMN — EthicalDative. All rights reserved

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‘The Bright Light Done Come, and There Was No More Whippin’s’

June 19, 1865, inaugurated Juneteenth. My title is from the words of a former slave in Texas about its effect on her and her family. (Quoted on “The History and Meaning of Juneteenth,” from “The Daily,” New York Times Audio) … Continue reading

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Silver Threads and Goldarn Needles

Last month, delegates to the [Texas Republican] state party convention approved a platform that would effectively require a kind of electoral college for statewide elections. To win the governor’s mansion, a candidate would need to carry a majority of Texas’ 254 counties. Democrats, concentrated in the state’s major cities, could never win, no matter the majority they scored at the polls. Republicans, who dominate the state’s vast rural expanse, would govern in perpetuity. (Bouie)

***

The Supreme Court overturned a ban on bump stocks enacted by the Trump administration, ruling that the government was wrong to classify the devices as machine guns… The bump stock allows a [semiautomatic] weapon to fire at nearly the rate of a machine gun without technically converting it to a fully automatic firearm.
Rates of fire:
2016 Orlando night club shooting — 24 shots in 9 seconds, 29 killed, 53 injured;
2017 Las Vegas shooting — about 90 shots in 10 seconds, 58 killed, almost 500 injured (lone gunman had bump stocks on 12 rifles);
Fully automatic firearm — 98 shots in 7 seconds.
(Buchanan, et al.)

***

The title of the head of the judicial branch is chief justice of the United States, not chief justice of the Supreme Court… [Chief Justice William Rehnquist] once skipped the president’s State of the Union address because it conflicted with his painting class at the local recreation center. [I assume this happened during Bill Clinton’s presidency, but I can’t find the painting class story attested elsewhere. JMN] (Greenhouse)

Sources
Jamelle Bouie, “Justice Alito Is Right About One Thing,” New York Times, 6-14-24.
Larry Buchanan, Evan Grothjan, Jon Huang, Yuliya Parshina-Kottas, Adam Pearce and Karen Yourish, “What Is a Bump Stock and How Does It Work?, New York Times, published in 2017, updated 6-14-24.
Linda Greenhouse, “How John Roberts Lost His Court,” New York Times, 6-16-24.

(c) 2024 JMN — EthicalDative. All rights reserved


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Protect the Rim, Kill the Note

Ernie Barnes “Protect the Rim,” 1976. Credit… via the Ernie Barnes Estate, Ortuzar Projects and Andrew Kreps Gallery. [New York Times caption and illustration]

I got a charge out of Ernie Barnes’s painting titled “Protect the Rim.” The surreally long figures, the lofty rustic hoop, and even the knocked-together frame all have a quirky charm.

In a parallel world, my grandmother’s capacious lungs powered Sundays in my childhood church. Her soprano anchored the choir and was audible from the street. Michael Frazier’s feisty “Mom” reminded me of her.

At Church, I Tell My Mom She’s Singing Off-Key and She Says,

I ain’t off-key. I just stepped out the key
so when I return
you can understand the key a little better.
The preacher isn’t the only
teacher. Why hit a note on the head
when I can kill it? You mean to tell me
you come here week after week
and want the same old Amazing
Grace? Just cause the Blood will never lose its power
don’t mean a melody won’t.
My ministry may not be song, but I got a song
to sing. I done made it from Sunday
to Sunday. You expect me not to celebrate
and thank God, with my hands raised,
my flats off, my full and open
throat?

(Will Heinrich, “Ernie Barnes Paints What It Feels Like to Move,” New York Times, 5-30-24,
Michael Frazier, “At Church, I Tell My Mom She’s Singing Off-Key and She Says,” Poetry, May 2024)

(c) 2024 JMN — EthicalDative. All rights reserved

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Raise Your Hand If You Know What ‘Paratactic’ Means

Untitled, oil on canvas, 11 x 14 in. (JMN 2024).

In an essay, Meghan O’Rourke writes the following:

Ambivalence is, like so much poetry, paratactic. (Poetry, June 2024)

Ambivalence is a state of mind characterized by mixed feelings. Parataxis is a rhetorical move. It daisy-chains independent clauses, leaving it to the reader to intuit their relationships. I came. I saw. I conquered. Its opposite, hypotaxis, introduces dependent clauses into the mix, which “can bolster the meaning of a work.” Poems forego such bolstering by flaring off fussy back story.

O’Rourke invites attention to the ending of a famous Frost poem — never mind which one. She focuses on the line break which repeats “I“ across the enjambment. “These final rousing lines enact a kind of ambivalent epistemic stutter… that often goes unremarked,” she writes. If all that can be said about the choice not to lead a certain existence is that it “has made all the difference,” that line is “trickily ambivalent: is the difference good or bad?” she muses.”

Would “trickily ambiguous” have been a better descriptor of Frost’s line? (I hear you say it’s a distinction without a difference.) In distilling its contemplations, poetry augments cognitive load on the reader. In the best of cases it earns the right to do so; the reader’s exertions add value to the poem. Hell, let’s agree on this: A poem without a good reader is a breathless tuba.

Here’s where I land on the epistemic stutter gone unremarked: Frost doesn’t need for us to know. Or rather, Frost needs for us not to know. Imagine he had jotted the following in a pocket notebook where he kept his ideas:

Two roads diverged in a wood, and I stood contemplating which one to take. One looked heavily traveled, judging by the ruts; but the other path looked as if it hadn’t been traversed in months, which appealed to my instinct for discovery. I took the one less traveled by, because I was footloose and fancy free back then — just wanted to stretch my wings and see some country — and that has made all the difference. Why and how? Because I met my future wife when I spent the night in that little lodge on Lake Pottawatomie. If I hadn’t made that flippant decision to go one way and not another, I wouldn’t bask in the love of that good woman today.

Now imagine the road taken.

(c) 2024 JMN — EthicalDative. All rights reserved

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The Grub Was Tasty, The Salutes Crisp

President Biden and the first lady, Jill Biden, with their French counterparts, Emmanuel Macron and Brigitte Macron, on Saturday in Paris at the Élysée Palace. Credit… Kenny Holston/The New York Times. [New York Times caption and illustration]

There was a light salad that turned plates into minor works of art adorned with fennel, green peas, other vegetables and assorted petals gathered around a puddle of vinaigrette. A dish of chicken, rice, artichoke and carrots followed — which sounds simple, except that, on a base of artichoke hearts, slivers of carrots of various colors had been curled into the likeness of a rose. A cheese course led to a finale of chocolate, strawberries and raspberries, again shaped like a rose, enlivened by a coulis of “carnal thorns,” whatever that may be. In any event, it was very good.

I searched “coulis.” It’s a pureed fruit or vegetable sauce.

(Roger Cohen, “French-American Friendship in Four Courses,” New York Times, 6-8-24)

(c) 2024 JMN — EthicalDative. All rights reserved

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Paradise Flown

Untitled, oil on canvas, 12 x 20 in. (JMN 2024).

“People are not always great at predicting their own behavior.”

(Kristen Soltis Anderson)

The founding myth of the civilization teeming beneath my bird feeder says a mature Cardinal fancied an underage squirrel. From their unnatural union sprang a creature with squirrel body and bird head; or bird body and squirrel head. Birds endow it with a feathered tail and say it created them in its image. Squirrels give it a furry tail and say it created them in its image. The insects are agnostic.

Dogmas clash. Sectarian and ethnic conflict is perennial: Dove on Sparrow, Finch on Shrike, Mockingbird on Wren, resident Squirrel on interloper from across the street. Open carry is universal. In turf spats and seed-rage flareups, shootouts erupt from micro long guns. Belligerents pull tiny Glocks and empty magazines into each other. Minuscule ambulances cart away the fallen. Beetle details mop up the gore.

Robins perched in the pomegranate chirp thoughts and prayers. A congress of Grackels cackles from the anaqua tree. Owls tut tut. Buzzards bunch and hunker.

(c) 2024 JMN — EthicalDative. All rights reserved

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‘I Don’t Agree With What I Said’

In a delicious Onion skit a befuddled member of a clueless television news panel ends up saying, “Yeah, I don’t agree with what I said!” It’s a wicked sendup of vacuous cable news, but also sparks a thought: What if … Continue reading

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It Stirs, Not-Knowing-Ness

“Guilty on All Counts,” oil on canvas glued onto acrylic-painted cardboard, 19 x 38 in. (JMN 2013). And God said, “Let there be pigments in tubes.” And there were pigments in tubes. And Eve called them “hues,” and assigned each hue its name, one after the other even as God cracked them out, while Adam, who gave not a fig, marinated in muscle.

“You need to have some sense of awe, mystery and not-knowing-ness to have faith in the possibilities of the world and what God has done.”

(Abram Van Engen)
“Guilty on All Counts,” Detail.

IT STIRS
What are we seeing?
I don’t know, but there it is.
It is lights going in directions.
They have darknesses in between.
Iridescence flares and wanes.
A haze appears to drift.
Thick here, thin there.
Do you see it, too?

“Guilty on All Counts,” Detail.

(c) 2024 JMN — EthicalDative. All rights reserved

Posted in Anthology | Tagged | 4 Comments