Tag Archives: art

Grisaille

Roberta Smith situates artist Amy Sherald within a group of youngish painters … who have broken with, absorbed or simply ignored modernist abstraction. Instead, they work with the figure as a way of reaching broader audiences; dealing with issues of … Continue reading →

Posted in Commentary | Tagged , , , | 2 Comments

Arcadia for Straw

One can understand a place by what its people make… Locals [from Orkney] have a special relationship with straw, which they have long used for everything from roofing and bedding to shelving, rainwear and furniture. Perhaps the most famous local … Continue reading →

Posted in Quotations | Tagged , , , , | Leave a comment

Ambiguous Freedom

Film maker Gus Van Sant is known for “Drugstore Cowboy,” “My Own Private Idaho,” and “Good Will Hunting.” I didn’t know he also painted. Watercolor on linen is an unfamiliar combination for me. I’m not sure I would look too … Continue reading →

Posted in Commentary | Tagged , , , , , , , | Leave a comment

“Storm With a Silent Mist”

Isabel Toledo died last week of breast cancer at the age of fifty-nine. Judith Thurman pays tribute to this “designer’s designer” who described couture as a language which she had learned “as a child does, by immersion.” Self-possession is usually … Continue reading →

Posted in Commentary | Tagged , , , | 2 Comments

“She’s Got It Down”

The work of ninety-three-year-old artist Betye Saar will be shown concurrently this fall at the Museum of Modern Art in New York and the Los Angeles County Museum of Art. Her assemblages, illustrated in this article, are charming and compelling. … Continue reading →

Posted in Commentary | Tagged , , | Leave a comment

“Reach Out from Within”

Karen Rosenberg writes that this exhibition of Helen Frankenthaler’s work at the Parrish Art Museum in Water Mill, NY, “presents Provincetown [Massachusetts] as more of a psychic space, one of negotiation and self-discovery, with new family responsibilities but not too … Continue reading →

Posted in Anthology, Commentary | Tagged , , , , | Leave a comment

Feminine He Ain’t

This article describes Richard Serra as “the best-known living sculptor in America.” His medium is steel, in which he enshrines “abstract forms as maximalist feats of mass and scale.” At the Museum of Modern Art… a room-sized assembly of eight, … Continue reading →

Posted in Commentary | Tagged , , , | Leave a comment

“Ida, Not Georgia”

Roberta Smith writes of an exhibition at the Clark Art Institute in Williamstown, Massachusetts entitled “Ida O’Keeffe: Escaping Georgia’s Shadow.” I don’t warm immediately to the work of Ida Ten Eyck O’Keefe (1889-1961), but I’m glad it has survived against … Continue reading →

Posted in Anthology, Commentary | Tagged , , , | Leave a comment

“A Saved Man”

I admire Renoir for the valor with which he carried on his work into old age, arthritic hands and all. I don’t care much for his nudes. Nor am I as fond of Boucher as he was, but I get … Continue reading →

Posted in Commentary | Tagged , , , , , | Leave a comment

Feminine Manet

My favorite touch on this painting is the mauve-against-yellow bonnet garnish — purple-yellow adjacencies enthuse me. Otherwise, the mannequin with the bee-sting pucker and doe-stupid gaze is both masterful and tiresome. Jason Farago writes about the exhibition “Manet and Modern … Continue reading →

Posted in Commentary | Tagged , | Leave a comment