Tag Archives: art

War and Art

In this article about Hilma af Klint two themes draw my attention. First, not having been clobbered by twentieth-century wars is a sad and sobering distinction to apply to a city. While there is not currently any comprehensive display of … Continue reading

Posted in Anthology, Quotations | Tagged , , , | Leave a comment

I’m Like: Whoa

All bets are off when a subject finds the interviewer’s question “very interesting.” There’s a likelihood that the answer will go its own way. I find that to be the case in this exchange between Jori Finkel, a contributor to … Continue reading

Posted in Anthology, Commentary | Tagged , , , , | 2 Comments

Drawing in Jail

Hilarie M. Sheets writes an article about how people have coped with incarceration by drawing (“For the Incarcerated, Drawing Is a Lifeline,” NYTimes, 9-20-19). What interests me on the margins of this interesting article is the innocent tell favoring depiction … Continue reading

Posted in Commentary | Tagged , , , | Leave a comment

Fellow Feeling

So how did the daughter of an American stockbroker come to meet a surly, bourgeois French artist? Degas became aware of Cassatt, known for her sensitive portrayals of women and children, in 1874, historians said. He was strolling through the … Continue reading

Posted in Quotations | Tagged , | 2 Comments

I Feel It 100% in My Bones

The story that keeps swirling around this mediocre painting whose whereabouts is now unknown is a punch line that keeps on giving. New York art historian and dealer Robert B. Simon bought the “Salvator Mundi” from a New Orleans auction … Continue reading

Posted in Commentary | Tagged , , | 4 Comments

Words With Eyes

Viewing a Kirchner painting always makes me want to say more than I know how. I’ve seen this painting several times. A picture best speaks for itself, but a good art critic’s words can add to its impact. In “Berlin … Continue reading

Posted in Quotations | Tagged , , , , | Leave a comment

American Dream Nicked

Someone recently stole a solid gold toilet from an exhibit at Blenheim Palace, the family home of Winston Churchill. Its Italian creator named it “America.” The toilet was functional. Its theft “caused significant damage and flooding.” Dominic Hare, the chief … Continue reading

Posted in Commentary | Tagged , , , | Leave a comment

Twice Broken

Roberta Smith describes Ernst Ludwig Kirchner as “the best and most versatile of the German Expressionists.” Like many 20th-century German painters, Kirchner was twice broken, by World I, which resulted in his nervous breakdown, and the rise of Hitler, which … Continue reading

Posted in Commentary | Tagged , , | Leave a comment

A Pioneer Gallerist

In 1926, Edith Gregor Halpert (1900-1970), an émigré from Ukraine, opened the Downtown Gallery on West 13th Street. It was the first gallery in Greenwich Village and she was the city’s first female gallerist… Horace Pippin, Stuart Davis, Charles Sheeler … Continue reading

Posted in Commentary | Tagged , , , | Leave a comment

Grisaille

Roberta Smith situates artist Amy Sherald within a group of youngish painters … who have broken with, absorbed or simply ignored modernist abstraction. Instead, they work with the figure as a way of reaching broader audiences; dealing with issues of … Continue reading

Posted in Commentary | Tagged , , , | 2 Comments