Tag Archives: Roberta Smith

‘Explicit and Mysterious’

I’m a child of ranchers. Because of how misshapen and reactionary mythic cowboy culture is in America, I’m a fool for painting that introduces what Roberta Smith terms the “subversive theme of the gay black cowboy.” And as usual, Ms. … Continue reading

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“Ida, Not Georgia”

Roberta Smith writes of an exhibition at the Clark Art Institute in Williamstown, Massachusetts entitled “Ida O’Keeffe: Escaping Georgia’s Shadow.” I don’t warm immediately to the work of Ida Ten Eyck O’Keefe (1889-1961), but I’m glad it has survived against … Continue reading

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“Corrupted Formalism”

I ponder what exactly the relationship between professional critic and working artist is. I, of course, am neither — a nosy bystander at best. I’m aware glancingly of debates in the professional art community about who says and does what. … Continue reading

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