Tag Archives: painting

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Mel Leipzig, the ‘Chekhov of Trenton’

The acrylic canvases of Mel Leipzig, a painter christened by Peter Schjeldahl as the “Chekhov of Trenton,” reach me as analogs to the loudest arena-rock virtuoso guitar hero solos you can think of. They are an ostentation of look-what-I-can-do. They … Continue reading

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‘I’m Too Old to Paint Such Beautiful Things’

Monet made the comment about being too old before starting to paint the town feverishly. I’ve seen enough of his paintings for now. They’re on pillowcases and doilies. They’re everywhere!  What I relish is seeing the man himself feeding the … Continue reading

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Rooms That Photograph Like Paintings

“I’m going to hesitate and say it’s settled into what it’s meant to be.” (Martyn Thompson) I was taken with the handmade rooms in Martyn Thompson’s Sydney, Australia home. They’re atmospherically profiled in the photographs. Each shot has a painterly … Continue reading

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‘What Is an Image?’

The only constants in his oeuvre, which takes in every traditional genre… are change, relentless curiosity and, perhaps most of all, an insistent question: What is an image? (Emily LaBarge) [Gerhard Richter’s] painting “Tisch” (1962), has the daunting catalog position … Continue reading

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Orison for Rubble

Depending on whether I’m going or returning, not long before or after my crossings of the mighty, tea-dark Brazos near the Arredondo bridge, I pass what appears to be a Christian church whose name has kerygma in it.  For a … Continue reading

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Untie These Hidebound Eyes, Unbind These Hogtied Hands

Jason Farago-rhymes-with-Chicago writes a deep, reflective appreciation of Cézanne’s work, calling Cézanne the first painter he ever loved.  BC*: For six centuries, ever since some scientifically minded Florentines had developed rules of perspective that made art look more like life, … Continue reading

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Guide for the Perplexed

“… When I don’t know what to do next, I tend to throw everything at it, be as expressive or as minimalist or as detailed as I can, reach for bright colours or keep it monochrome, look intensely or scribble … Continue reading

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‘Ebullient, Rigorous and Boastfully Esoteric’

Walker Mimms’s treatment of Hilma af Klint is elegant, lyrical, explicit. Ebullient, rigorous and boastfully esoteric, these “Nature Studies,” as she called them, reveal the didactic side of a pioneer in nonliteral art. This is an economical show of some … Continue reading

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‘His Technique Can Be Potently Slapdash’

If the images in the survey feel more like news than comment, that’s partly because we can sense the press photos Shahn used as his sources. Though his paintings themselves aren’t close to photorealistic — his technique can be potently … Continue reading

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