Tag Archives: painting

The Fellow’s Garrulous, But a Decent Painter

Posted on December 5, 2022 by JMN

He talks about a narrow, closed view of the world in which a contempt for America – the home of “degenerate” jazz for the Nazis, the capitalist enemy for the GDR – was a constant. “Until I was about 20 … Continue reading →

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Once Was Lost, But Now Is Found

Posted on December 1, 2022 by JMN

“We were flabbergasted. It has taken 100 years to rediscover Atlantic City.” [Petulant style note: Equally flabbergasting is British journalism’s insufferable convention of not setting off titles with quotes or italics. What two researchers rediscovered was not the coastal city … Continue reading →

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Bill Lynch Painted on Wood

Posted on November 30, 2022 by JMN

“I realised that the art of the 20th century is the fruit of personal revelation,” Lynch wrote, “while ancient art is the product of mystery initiation.” I’ve no idea what Bill Lynch (1960 – 2013) meant by his incantation about … Continue reading →

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View from the Low Side of Town

Posted on November 16, 2022 by JMN

My illustration is an abstraction derived from the layout of structures and spaces on my squat down by the Big Muddy. The turgid Waddy Loopy is a conduit of Texas Hill Country drainage that lumbers past me on its way … Continue reading →

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‘It’s More Than It Initially Appears’

Posted on November 11, 2022 by JMN

The comment attributed to a museum director about Jennifer Guidi’s painting reminded me of Mark Twain’s remark that Wagner’s music is “better than it sounds.” “I’m thinking of color as a way to connect — a way to engage — … Continue reading →

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Rough Handling of Paint

Posted on November 9, 2022 by JMN

[His] early Sugar Bowl, Pears and Blue Cup (1865-70)… shows Cézanne seeing and painting in a relatively traditional way. Apart from the rougher handling of paint, it is a close relative of traditional scenes like Harmen Steenwyck’s… (Matthew Wilson) I … Continue reading →

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The Case for Rhythm and Emptiness

Posted on November 1, 2022 by JMN

Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading →

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The ‘Burden of Exegesis’

Posted on October 15, 2022 by JMN

There is almost nothing to see, and yet everything is there. (Laura Cumming) Cumming gives a lyrical account of her responses to Cezanne. (I learn from her that the artist dropped the acute accent from his name in his signature.) … Continue reading →

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Why Do I Warm to These Two Paintings?

Posted on October 9, 2022 by JMN

Rosalyn Drexler’s elegant painting, “Cigarette Smoking May Be Hazardous to Your Health,” is stuck with a lumbering title but sings, nevertheless. I would give it a chill name such as “Composition in Vermilion on Black,” or one with saucy innuendo … Continue reading →

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What He Simply Tries to Do

Posted on September 22, 2022 by JMN

“In his view, painting and drawing are exactly the same difficulty and take roughly as long as each other.” (William Feaver, art critic and one of Auerbach’s regular sitters) Asked whether he has learned something new about his face, [Auerbach] … Continue reading →

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