Lebanese-American painter-poet-novelist Etel Adnan (1925-2021) was interviewed by Gabriel Coxhead for the June 2018 issue of Apollo. I’m drawn to her work for how it mingles Arabic language, painting and poetry. Quoting from the interview: Perhaps most interesting, in terms … Continue reading
… Each [painting] presents so much information that you have to move in close for further contemplation and deciphering, trying to figure out how the paintings were made and which of their weird little details are accidental, which deliberate. They … Continue reading
“He’s showing us in the natural world our own inner landscape,” said [collector Bernard] Lumpkin, who owns four Gavin canvases. “When you’re inhabiting a painting by Cy, you’re inhabiting a world which is simultaneously strange and familiar; real and surreal; … Continue reading
“What I teach you is nothing. What you learn by doing over and over is where the learning begins.” (Simon Michael) “Writing poetry is much easier … Five Quotes About …
On Squirrels I don’t defend creationism butsometimes it’s hard to getmy head around the notion thatone bit of protoplasm puton a bird suit, another a people suit,and don’t get me startedon squirrels. Have you ever notedhow one can scamper up … Continue reading
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I’ve filched my title from the standup comedy of the matchless Gary Gulman. If you don’t know him, you owe it to yourself to track down on YouTube, exempli gratia, his explanation of how the states got their abbreviations. (c) … Continue reading
The creamy sensuality of the toothbrush rack melts your heart. Talk about ennobling humble objects with tender attention. It’s an act of painterly love lavished on a trivial appurtenance. Both lyrical and somehow sad. “There is something I lack as … Continue reading
When my dad died in 2013, his shed (now mine) was full of guns. I inherited his art supplies, so I took up painting again after a long hiatus. My subjects came to be things I was afraid of. The … Continue reading
“The paintings introduced a range of blue colors — oceanic, but resisting a direct reading.” This review bristles with strange energy, coercive structures, geographies of enclosure, and the verb catalyze. But of all the advanced art talk on display, my … Continue reading
‘La Ronde Enfantine’
I savor the deep dark greeniness and people-dwarfing scale of the forest in this painting by Courbet. The syrupy light on the tree trunks is eyeball lickable. (Julia Jacobs, “He Lost a Courbet Fleeing the Nazis. His Heirs Are Getting … Continue reading →