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Author Archives: JMN
Where Noise Is Canceled and Air Is Free
(Continued from https://ethicaldative.com/2021/10/10/know-your-place-said-the-boot-to-the-sock/) Within the close confines of Isthmia, what shielded the better sort from the dusky effluvia and clangor of the inducèdly frugal, besides walls, was a massive noise-whitening system. These two feats of segregation and filtration were tributes … Continue reading
Jenny Saville: ‘Humans Are Just Drawn to Eyes’
Jenny Saville speaks in all the quotes here. Italy is a country of figuration, so I feel very at home here — but it was intimidating. I got through by really looking at Michelangelo… I started to do direct studies … Continue reading
‘Know Your Place,’ Said the Boot to the Sock
(Continued from https://ethicaldative.com/2021/10/03/claw-hammer/) Claw Hammer studied a handful of prehistoric photographs preserved in the Museum of Ancient Technology. “Why do barbs ape-grin in the pografs?” Siddhartha Huff processed the uppity punk’s patois for a moment. “Where did you learn about … Continue reading
‘A Gloriously Unsatisfied Painter’
Brobdingnagian ocular hubbub. Colossus of hue and scream. Tympanic boom. These phrases leapt to mind — of course they did! — as I eyed Sarah Cain’s work. Confession though: Cain owns me for rejecting the term “murals” in favor of … Continue reading
Claw Hammer
(Continued from https://ethicaldative.com/2021/09/28/ballin-the-jack/) When Siddhartha Huff’s adopted ding learned he was suspended from the organ donor pool, the saucy rogue promptly gave himself a name: Claw Hammer. Sidd put Claw Hammer on a regimen of slenderizing drugs and commenced tutoring … Continue reading
Sean Scully: ‘Backs and Fronts’
“Here’s another thing that I don’t agree with,” Scully says to me – the last comment he makes in our conversations for On the Line – “and that’s when Picasso said that art is war. Art is not war. War … Continue reading
Ballin’ the Jack
(Continued from https://ethicaldative.com/2021/09/21/its-not-over-until-its-celebrated/) On the runways of the Hall of Fenestration slenderness was next to godliness. The frescos of the Gilt Tabernacle of Mar-a-Gogo depict Museolini, god of the catwalk, being draped in sumptuous crinolines by wingèd benitos whose sheer … Continue reading
Remedios Varo (1908 – 1963)
“Armonía (Autorretrato Sugerente)”/“Harmony (Suggestive Self-Portrait)” 1956. Credit… Remedios Varo, Artists Rights Society (ARS), New York/VEGAP, Madrid, New York; Sotheby’s, via Associated Press. Her father, Rodrigo Varo y Zejalvo, a hydraulic engineer, taught her mechanical drawing and encouraged her interest in … Continue reading
‘Jasper Johns: Divide and Conquer’ — Review by Holland Cotter
Flags, maps and numbers were among the artist’s earliest repeating motifs. In “Map” (1961), the artist blurs the boundaries of states and strikes a line through the name South Carolina. Credit…Jasper Johns/VAGA at Artists Rights Society (ARS), New York; Charlie … Continue reading
Fabulousness and Traps
Here’s a vibrant pulverization of Smith-song around the paintings of Beauford Delaney (1901-1979): Robust impasto surfaces… startling colors… visionary buzz… new kind of painterly fabulousness… sturdy realism overloaded with color… something of an Egyptian immobility… crisis-crossing strokes [sic: Is “criss-crossing” … Continue reading →