Category Archives: Anthology

My collected writings and those of family members.

Does ‘Maieutic’ Rhyme With ‘Epizootic’?

“Rhyme is a bit like metaphor, a way of asserting a resemblance between otherwise distant terms.” (Kamran Javadizadeh) There’s the rhyming of abducted words pressed into sonic servitude on a lick and a whim, screaming at the end of their … Continue reading →

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Zakaria Mohammed’s Poem ‘2013-1-2’

The September edition of Poetry magazine publishes 3 poems by Palestinian poet Zakaria Mohammed. English translations by Lena Khalaf Tuffaha accompany the Arabic texts. She publishes a translator’s note as well. The poet’s death on August 2, 2023, is noted … Continue reading →

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‘So Pure and Unobstructed by Metaphor’

It’s so pure and so unobstructed by metaphor in a way that I find disarming and really courageous. (Fred Gibson) Fred Gibson’s phrase “unobstructed by metaphor” riveted me on first hearing (NYT Audio, “The xx Singer’s Solo Album Is Its … Continue reading →

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‘In the Still of the Clan…’

The pattern of the nonsequi-ku first broached here is rendered more ticklish per the suggestion of OutsideAuthority: If anything, wondering if it’s a little too easy. Can you make the rules more complex?! The title now is vaguely anapestic. The … Continue reading →

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Model and Prototype for the NONSEQUI-KU

I’ve created a verse form I call the nonsequi-ku. It consists of a title over a cinquain. The title must be in trochaic pentameter, and must cast only spectral light on the burden of the cinquain. The cinquain must be … Continue reading →

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The Poem of ^Umar ibn Abī Rabī^a

^Umar ibn Abī Rabī^a, son of a wealthy merchant of Mecca, lived ca. 643-719 A.D. His legend is that of a womanizer, his verses said to be “the greatest crime ever committed against God.” 1 If only Hind would keep … Continue reading →

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The Bull in ‘Minotaur’

Consider this opening of “Minotaur” by Douglas Kearney: MINOTAUR The best part,how we make topart the beastfrom its self. The illusion fostered by the abrupt entrée en matière is that of a conversation suddenly caught on a hot mic. The … Continue reading →

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Where Has All the Rhyming Gone?

By all accounts poetry was the first literature of the sundry peoples. It predated writing, so rhyme, rhythm and alliteration helped rhapsodes and minstrels hold it in their heads. In contemporary lyric rhyme is absent (thank goodness), alliteration rare; rhythm … Continue reading →

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‘The Round Jubilance of Peach’

Can a person swear for joy? It’s what I do. My reflex on encountering a poem that triggers a rush of involvement on first reading is to let fly a putatively disobliging epithet. It’s a reverb from the salutary shock … Continue reading →

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The Poem of al-Khansā’

Al-Khansā’, born near the end of the 6th century A.D., is renowned for elegies she composed for her slain brothers Mu^āwiya and Saẖr. Line 5, midway through the poem, is notable for the brusque transition to aggrieved resignation leading into … Continue reading →

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