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Category Archives: Commentary
Ammo and a Candy Bar
Ask yourself how often you’ve found yourself in this familiar pickle: It’s late Saturday night and you’ve run out of ammunition. The stores are closed until Monday. It’s beg, borrow or steal some rounds, or else fiddle away the rest … Continue reading
patience
FURTHER AWAY– Don’t care ! I’ve got plenty of time ! patience The pen and wit of Gilles Labruyère are a daily marvel. This one in particular connects me with a favorite topic: signs that point somewhere. The quintessential sign … Continue reading
Raise Your Hand If You’re Up for a ‘Variety of Irreconcilable Points of View’
Rooky move: I responded to the first page of Meghan O’Rourke’s essay “On Ambivalence: To Be, but to Be How?” (Poetry, June 2024) before I had finished reading it. I caught the wave generated for me by her allusions to … Continue reading
‘You Can Make Something and You See It. But Then You Have to Spend Your Life to Get the World to See It’ (June Leaf)
Painter and sculptor June Leaf died on July 1, 2024, aged 94. “She is that rare thing in painting today: a poet with a taste and a talent for complex images.” (Hilton Kramer, 1968) In Paris, Ms. Leaf told Hyperallergic, … Continue reading
The ‘Jolly Bunch of Pen-Pushers’
For me the skills of cartoon and caricature are from on high, which is why I relished this article about Philip Guston. It told me much I didn’t know. He was the son of Ukrainian Jewish immigrants in Montreal who … Continue reading
Un-Contained
The text is Marvin K. White’s “From Containment to Expansion: A Tenderloin Meditation in Two Parts” (Poetry, July/August 2024). Part 1 contains 82 the’s, 41 does not contain’s and 41 pairings that span the elemental (sun-fire), the metaphysical (circle-infinity), the … Continue reading
Protect the Rim, Kill the Note
I got a charge out of Ernie Barnes’s painting titled “Protect the Rim.” The surreally long figures, the lofty rustic hoop, and even the knocked-together frame all have a quirky charm. In a parallel world, my grandmother’s capacious lungs powered … Continue reading
Raise Your Hand If You Know What ‘Paratactic’ Means
In an essay, Meghan O’Rourke writes the following: Ambivalence is, like so much poetry, paratactic. (Poetry, June 2024) Ambivalence is a state of mind characterized by mixed feelings. Parataxis is a rhetorical move. It daisy-chains independent clauses, leaving it to … Continue reading
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This blog nets it out. You rarely sacrifice more than three minutes to EthicalDative: Bish, bash, bosh. <Instant of Appreciative Reflection> Smash LIKE. You’re done. PS: A supportive comment can substitute for the canonical <Instant of AR>. Be so kind? … Continue reading
‘Plastic Is This Zombie Medium’
Verse can have visual ramifications as well as verbal ones. Text commandeers white space on the page in one-off patterns reflecting a close collaboration between author and typographer. The ensemble is larger than the words which are its literal medium. … Continue reading →