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Category Archives: Quotations
‘What Is an Image?’
The only constants in his oeuvre, which takes in every traditional genre… are change, relentless curiosity and, perhaps most of all, an insistent question: What is an image? (Emily LaBarge) [Gerhard Richter’s] painting “Tisch” (1962), has the daunting catalog position … Continue reading
Eric Fischl and Other Eye Catchers
[Eric Fischl] “Eric Fischl: Stories Told”Featured here are about 40 large-scale works by the figurative painter Eric Fischl, created from the late 1970s to today. The artist largely had to teach himself traditional painting styles, studying early modern artists like … Continue reading
Inwardness, Tenderness, Political Rage
***“I hate being called poet/dramatist/translator/director. Poet covers it all for me… I want to do justice to my inwardness, my tenderness, my political rage.” (Tony Harrison)*** ***… como una mosca espía…… like a fly on the wall… [“a spy fly”!](From “Revuelo” … Continue reading
Absurdity Muddled With Beauty: Insouciant!
Muddling is when you gently and lovingly release aromatic oils from fruits and herbs. “I have finally freed myself from the sticky medium of paint, and am working directly with light itself.” (Man Ray, 1922) In French, the title [“Violon … Continue reading
THERE Be Dragons — Blue Ones!
“We still don’t know exactly what we’re dealing with here… But given the warming of the Mediterranean,… we’re not ruling out that in the coming years we will once again confront situations that we’ve never dealt with.” (José Luis Sáez, … Continue reading
‘I Came Into the World Very Young’
I discovered Satie long ago through Gymnopédies and Gnossiennes, and liked the music immediately. I thought of him as a “minor” composer, and I was drawn to perceived niche tastes. I crave even now the unmoored feeling that his music … Continue reading
Untie These Hidebound Eyes, Unbind These Hogtied Hands
Jason Farago-rhymes-with-Chicago writes a deep, reflective appreciation of Cézanne’s work, calling Cézanne the first painter he ever loved. BC*: For six centuries, ever since some scientifically minded Florentines had developed rules of perspective that made art look more like life, … Continue reading
Guide for the Perplexed
“… When I don’t know what to do next, I tend to throw everything at it, be as expressive or as minimalist or as detailed as I can, reach for bright colours or keep it monochrome, look intensely or scribble … Continue reading
‘Ebullient, Rigorous and Boastfully Esoteric’
Walker Mimms’s treatment of Hilma af Klint is elegant, lyrical, explicit. Ebullient, rigorous and boastfully esoteric, these “Nature Studies,” as she called them, reveal the didactic side of a pioneer in nonliteral art. This is an economical show of some … Continue reading
‘Sheathed in Fetters’ or ‘Bound in Chains’?
Afterthought foregrounded: This will go down as a wildly utopian, presumptuous, naive, impractical proposition. Imagine a world in which the devout were schooled from an early age to read the foundational scriptures of their respective creeds in the original languages … Continue reading →