Category Archives: Quotations

Things people said.

Kafka’s Drawing Isn’t Kafkaesque!

A trove of drawings by Franz Kafka was brought to light in 2019. They share, says Philip Oltermann, features with paintings Kafka describes in his fiction: “… men riding flying buckets, singing mice and creatures made of household detritus… dream-like … Continue reading →

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Mean or Not, It’s a Feat

Can a poem hurt the reader into glimpsing its cargo? The poem discussed is ‘From “Banana [ ],”’ Poetry, December 2021, by Paul Hlava Ceballos. I encounter poetry I perceive to be all kinds of icky: cryptic, elliptic, hierophantic, delphic, … Continue reading →

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‘Except for Perhaps Poetry…’

In 1970, David Godine started a small publishing company in an abandoned cow barn in Brookline, Massachusetts. After a distinguished history of publishing select titles in well crafted editions, he has sold the company. I enjoyed reading what he did … Continue reading →

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Marlene Dumas: ‘Art Is Not a Mirror’

This article gives a stimulating sample of Marlene Dumas’ painting. Here’s a whiff of its curatorial patter: “She is a master, in the classical sense: she makes masterpieces”… Dumas [takes] us somewhere beyond prosaic materiality… “[Faces and portraits by Dumas … Continue reading →

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‘mee-HIGH CHEEK-sent-me-HIGH-ee

My title is how the NYTimes represents the pronunciation of the name of Hungarian-born psychologist Mihaly Csikszentmihalyi, who died recently in Claremont, California. He coined and popularized the term “flow” to describe a state of focused contentment in which time … Continue reading →

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Fabulousness and Traps

Here’s a vibrant pulverization of Smith-song around the paintings of Beauford Delaney (1901-1979): Robust impasto surfaces… startling colors… visionary buzz… new kind of painterly fabulousness… sturdy realism overloaded with color… something of an Egyptian immobility… crisis-crossing strokes [sic: Is “criss-crossing” … Continue reading →

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Jenny Saville: ‘Humans Are Just Drawn to Eyes’

Jenny Saville speaks in all the quotes here. Italy is a country of figuration, so I feel very at home here — but it was intimidating. I got through by really looking at Michelangelo… I started to do direct studies … Continue reading →

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‘A Gloriously Unsatisfied Painter’

Brobdingnagian ocular hubbub. Colossus of hue and scream. Tympanic boom. These phrases leapt to mind — of course they did! — as I eyed Sarah Cain’s work. Confession though: Cain owns me for rejecting the term “murals” in favor of … Continue reading →

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Sean Scully: ‘Backs and Fronts’

“Here’s another thing that I don’t agree with,” Scully says to me – the last comment he makes in our conversations for On the Line – “and that’s when Picasso said that art is war. Art is not war. War … Continue reading →

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Remedios Varo (1908 – 1963)

“Armonía (Autorretrato Sugerente)”/“Harmony (Suggestive Self-Portrait)” 1956. Credit… Remedios Varo, Artists Rights Society (ARS), New York/VEGAP, Madrid, New York; Sotheby’s, via Associated Press. Her father, Rodrigo Varo y Zejalvo, a hydraulic engineer, taught her mechanical drawing and encouraged her interest in … Continue reading →

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