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Category Archives: Quotations
“Aroha, Manaakitanga”
Masha Gessen’s article is unusually affecting for me at a time when I feel enervated by tinyness in my own country. The article is a sensible and sensitive appreciation of conduct that betokens great — I would say towering — … Continue reading
“Ars longa, vittles brevis”
“My goal is to keep drawing forever, to get to all the restaurants in New York,” [John Donohue] said. It’s a silly goal, perhaps, but what goal isn’t? It’s cheap, it gets him outside (as opposed to eating in … Continue reading
Embrace-Aversive
Do I love this painting? Love is not a word I would use to describe my regard for Warhol, which is high. He and his art are too trouble-makingly elusive and embrace-aversive for that. But this is true of some … Continue reading
“That’s not quite right”: Sociodicy
How a target of students’ ire came to write a book about humanity’s transcendent goodness. To accept this belief that human beings are evil or violent or selfish or overly tribal is a kind of moral and intellectual laziness,” [Nicholas … Continue reading
“Something You Did in Latin”
Carol Gilligan is the author of “In a Different Voice: Psychological Theory and Women’s Development,” published in 1982. The widely disseminated book “made her an academic celebrity.” She and Naomi Snider have recently co-authored “Why Does Patriarchy Persist?” The quotations … Continue reading
Overseas Research
There’s a fun flub in the paragraph quoted below. A spellchecker would not have caught it, of course. Syntax-monitoring software might have. I’m not sure software that capable exists, however. It’s a reminder that good journalism is produced by humans. … Continue reading
Yes, It’s in Focus, I Think
Suh Seung Won, a pioneer of the process-based Korean painting movement known as Dansaekhwa, or monochrome, started out with hard-edge, translucent rhombuses that evoke unreal architectural spaces. In the large-scale recent canvases comprising most of “Suh Seung Won: Simultaneity” at … Continue reading
“The Birth of the World”
The artist André Masson once likened this large (8-by-6½ feet) canvas [“The Birth of the World” by Joan Miró] in its radicalness to Picasso’s “Les Demoiselles d’Avignon” of 1907. It is still startling that the two are only 18 years … Continue reading
From Llandudno to Cromer
I have a weakness for challenging place names. Mr. Rayner delivers handsomely in his article. I have reviewed [restaurants] from Marazion and Porthleven at the tip of Cornwall to Stornoway and Drumbeg in Scotland’s furthest reaches; from Llandudno in the … Continue reading
Vivian Browne
In 1965, the artist, educator, and activist Vivian Browne (1929-1993) began a series titled Little Men. Considered her first major body of work, it consists of oil and acrylic paintings of white-collar middle-aged white men… They’re dressed in button-down shirts … Continue reading →