Francisco Toledo, Dead at 79

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Mr. Toledo in 2015 at an exhibition at the Zapata subway station in Mexico City. His paintings, drawings, prints, collages, tapestries and ceramics were largely inspired by his indigenous Zapotec heritage. Credit Alfredo Estrella/Agence France-Presse — Getty Images.

“The man himself is elusive,” [Paul] Theroux noted. “He hides from journalists, he hates to be photographed, he seldom gives interviews, he no longer attends his own openings, but instead sends his wife and daughter to preside over them, while he stays in his studio, unwilling to speak — a great example of how writers and artists should respond — letting his work speak for him, with greater eloquence.”

(Jonathan Kandell, “Francisco Toledo, Celebrated Mexican Artist and Arts Philanthropist, Dies at 79,” NYTimes, 9-7-19)

The work should speak for the artist, yes. But there’s room also for the occasional artist who also talks.

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“Pensando — Autorretrato” (“Thinking — Self Portrait”), 1985 (Watercolor with pen and black ink). Francisco Toledo, via Princeton University Art Museum.

(c) 2019 JMN

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Female Underwear for Men

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The prime-time Victoria’s Secret fashion show will no longer appear on network television after years of declining viewership. Credit Evan Agostini/Invision, via Associated Press.

[Victoria’s Secret’s] guiding light… was a fictional woman named Victoria who had been raised in England by a successful London businessman and a French mother. She was well educated and married to a barrister. Company decisions were often made by asking, “Would Victoria do this?”

Victoria’s Secret is actually based in Columbus, Ohio.

Leslee King, who was an executive with the company for more than a decade, says that for millennials “unattainable projections of beauty became not just dated and uncool but offensive… I see the consumer getting much more aware and loud… about the fact that this is a brand run by men.”

(Sapna Maheshwari, “Victoria’s Secret Had Troubles, Even Before Jeffrey Epstein,” NYTimes, 9-6-19)

(c) 2019 JMN

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If You Want a Picture, You Must Ask

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Texas State Capitol, South Facade. Courtesy of the Texas State Preservation Board.

A female-focused dating app named Bumble, based in Austin, Texas, founded by Whitney Wolfe Herd, has lobbied Texas legislators successfully to pass the “cyber-flashing act.” The act

… bans the electronic transmission of unwanted visual material depicting any person’s “intimate parts” as well as the “covered genitals of a male person that are in a discernibly turgid state”.

(Arwa Mahdawi, “Put it away: Texas passes law banning dick pics,” The Guardian, 9-7-19)

Good job, Texas. Let’s work on mass shootings now.

(c) 2019 JMN

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“Storm With a Silent Mist”

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Huffpost.com. “Images courtesy of Patrick McMullan and Getty.”

Isabel Toledo died last week of breast cancer at the age of fifty-nine. Judith Thurman pays tribute to this “designer’s designer” who described couture as a language which she had learned “as a child does, by immersion.”

Self-possession is usually an acquired patina, but Toledo’s was bred in the bone, and it often came across as reticence—the same economy of expression that she brought to her drafting table… A great dress, Toledo once said, has to surprise you with “a rush of feeling,” by which she seemed to mean the feeling of being happy with yourself. Was she happy with herself? Her business partner, husband, and soul mate, Ruben Toledo, described her as “a storm with a silent mist.”

Two days after her death, Ruben wrote:

“Izzy was a contrarian even to herself. Her true medium was unpredictability. If she sensed a cage was descending on her, she spread her wings fast and was gone.”

(Judith Thurman, “Remembering Isabel Toledo, A Designer With Few Peers,” The New Yorker, 9-4-19)

(c) 2019 JMN

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“She’s Got It Down”

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Ms. Saar in her studio in Laurel Canyon. Credit Erik Carter for The New York Times.

The work of ninety-three-year-old artist Betye Saar will be shown concurrently this fall at the Museum of Modern Art in New York and the Los Angeles County Museum of Art. Her assemblages, illustrated in this article, are charming and compelling.

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“Sketchbook 1998,” at the Los Angeles County Museum of Art. Credit Betye Saar, via Roberts Projects, Los Angeles.

My favorite words from her mouth are the following: “You can’t beat Nature for color, She’s got it down.”

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And “Supreme Quality” (1998), the assemblage based on the sketch. Credit Betye Saar, via The Rose Art Museum, Brandeis University; Tim Lanterman/Scottsdale Museum of Contemporary Art.

The theme of the deserving artist, long neglected, who achieves belated recognition while still living is low-hanging fruit for the art journalist. I suspect that the story lurking behind the neglect of Saar’s work is glimpsed in the following words of Ann Temkin, MoMA’s chief curator of painting and sculpture:

“For the most part (and with notable exceptions) until this past decade we were not looking in the directions where we would have found Saar’s work. And speaking personally,” she added, “for that reason now is such an inspiring and rewarding time to happen to be a curator.”(Holland Cotter, “‘It’s About Time!’ Betye Saar’s Long Climb to the Summit,” NYTimes, 9-4-19)

Speaking personally, do I detect in Temkin’s remark a bit of understatement around an institutional legacy of turning a blind eye to artists from certain “directions”? No matter. She happens to be a curator now inspired and rewarded to be looking in Saar’s direction.

(c) 2019 JMN

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Do NOT Surprise Your Mom

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The mother said she… saw someone running into the bedroom, at which point she fired her .38 special handgun, hitting her daughter once…

“If you realize someone has a gun for protection, and they’re not expecting you—announce yourself when you enter the home, or even if you’re getting up to get a drink of water in the middle of the night, just announce yourself….”
(Police Chief John Norman of Girard, Ohio)

“Ewan Palmer, “Mother Shoots Daughter After She Came Home From College to Surprise Her,” Newsweek, 9-4-19)

The concept of waking up the household to issue a “getting drink of water” announcement has zany appeal. The same protocol would apply to toilet visits and midnight refrigerator raids. Sleepwalkers beware, however! (The daughter was shot in the arm and is recovering.)

(c) 2019 JMN

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Nay, Nay Now. Period

“I am NOT going to use the evil acts of a handful of people to diminish the God-given rights of my fellow Texans. Period. None of these so-called gun-control solutions will work to stop a person with evil intent […] I say NO to ‘red-flag’ pre-crime laws, NO to universal background checks, NO to bans on AR-15s or high-capacity magazines. NO to mandatory gun buy-backs […] YES to praying for victims.”
(Texas State Congressman Matt Schaeffer on Twitter, 31 August 2019, 9:35 PM)

(Quoted by Richard Parker, NYTimes, 9-1-19)

(c) 2019 JMN

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Sexual Fantasies

Adverbs Ahead

Humour Ahead

“My greatest sexual fantasy is just to have regular sex in my own apartment. But, in my fantasy, my apartment has a washing machine and a dryer.”

(Mark Cognata, “Sexual Fantasies of Everyday New Yorkers,” The New Yorker, “Daily Shouts”)

(c) 2019 JMN

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Impacted

Attorney General Paxton Statement on the Odessa Shooting

AUSTIN – Attorney General Ken Paxton gave this statement after receiving news of the horrific shooting in Odessa, Texas:

“I am horrified to see such a senseless act terrorize the fine people of the Permian Basin. Thank you to the courageous local and state first responders who worked quickly today to stop this evil attack. I have asked my law enforcement division and my crime victims services team to assist in any way necessary. Please join Angela and me as we pray for comfort for those who have been impacted by this violent act.”

This bulletin landed in my inbox at 6:24 PM on 31 August 2019, as news was still breaking of a mass shooting in Midland and Odessa — 5 fatalities, 21 wounded and counting. Today, on 1 September, the fatality count has risen to 7.  Also today in Texas new laws further easing restrictions on guns go into effect.

(c) 2019 JMN

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Arabist

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Tools.

WARNING
A long and wonkish post. Probably not your cup of tea.

BACKGROUND
I strove for years to read Arabic. I’ve largely lost what knack I attained. A recent brush with the language brought back how daunting it can be. For my own amusement I revisit my flustered campaign to be an “Arabist.”

TRANSLITERATION
I will use my eccentric transliteration for Arabic words, not the official one, which demands exotic characters from the International Phonetic Alphabet.

ROOTS
To look up an Arabic word in the dictionary you must analyze what its “root” consonants are. Typically there are three; sometimes two; rarely four. You look up the root to get at the word.

VOWELS
Arabic has three short unwritten vowels: ‘a’, ‘i’, ‘u’. Their lengthened forms ARE written. I represent them thus: ‘aa’, ‘ii’, ‘uu’.

WEAK CONSONANTS
The long vowels double as “weak” consonants. “Alif” looks like a capital sans-serif ‘i’. Crowned with a diacritic called “hamza” it’s a glottal stop (I use an apostrophe for it) voiced with any one of the three vowels. Think “asp-eek-oof.”

For weak consonant’Y’ think “yap-yeast-youth.”

For weak consonant ‘W’ think “wacky-weevil-woo.”

FIRST WORD
Here’s the first word of the mystery sentence we’ll attack:

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KH-w-n-(t)

Discard the ‘(t)’. It’s a feminine noun ending. The ‘w’ is suspect, could be a lengthened vowel. Let’s hope it’s a root consonant and look up KH-w-n in our dictionary. We find there is such a root, which revolves around the semantic range of treachery. Now we must scan the derivations from this root to find the word that appears in our text. We come upon this sequence:

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KHaa’in(un)

This is the present participle of the first derived verb form (there are 10 common derived verb forms). My Hans Wehr dictionary lists the following meanings: disloyal, faithless, false, unreliable, traitorous, treacherous, perfidious; traitor. Now, this doesn’t look exactly like our word, you are thinking, and you’re correct. Note, however, that our present participle has two “broken” (non-regular) plurals:

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KHuwwaan (first broken plural of KHaa’in)

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Khawana(t) (second broken plural of KHaa’in)

And in the second broken plural we see it. That could be our word! We’ll peg with the meaning traitors so as to keep it in our head. Without more context we can’t be sure of anything yet. It’s rare in Arabic for there to be a single morphological analysis on which to hang one’s hat. But we’re ready to continue our sleuthing on the second word!

(c) 2019 JMN

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