Parting Looks — Tom Jones

James Thomas “Tom” Jones (1920 — 2000) (c) 2019 JMN

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Parting Looks — Tom Jones

James Thomas “Tom” Jones (1920 — 2000) (c) 2019 JMN

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A Lower Power

a leonardo

A self-portrait of Leonardo da Vinci. Photograph Christophel, Fine Art/UIG via Getty.

“My inside sources at the Louvre, various sources, tell me that not many curators think [the ‘Salvator Mundi] is an autograph Leonardo da Vinci.

“If they did exhibit it … they would want to exhibit it as ‘workshop’.

“If that’s the case, it will be very unlikely that it will be shown, because the owner can’t possibly lend it … the value will go down to somewhere north of $1.5m (£1.2m).” (Ben Lewis, art historian)

(Mark Brown, “The lost Leonardo? Louvre show ditches Salvator Mundi over authenticity doubts,” The Guardian, 5-26-19)

… And somewhere south of the $450m paid at auction.

(c) 2019 JMN

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Three Tiers!

jazzy fringe

For the reception, Ms. Geahan slipped into a cream-colored skirt with three tiers of jazzy fringe. Credit Anastasiia Sapon for The New York Times

The NYTimes chronicles the romance and nuptials of this couple in its “Vows” section. I never read this section, but a crafty flourish in the subheading of this particular installment trapped me. It illustrates an astute whoring for eyeballs:

Brian Nicholson thought Brooke Geahan was the most beautiful woman he had ever met. He also knew that she was very ill.

On first blush, the marriage profiled here has the trappings of a beautiful-people, privileged affair: She a Bard College graduate who had curated literary events attended by “boldfaced names.” He a graduate of Brown University who passed through investment banking on his way to founding a men’s apparel line. Wedded in Sonoma and settling down in NoCal wine country.

Only she is battling lyme disease, and both had suffered loss of close family members early in the relationship. This puts an affecting spin on their courtship:

Theirs was an easy connection. Throughout the weekend, while others played outside in fresh snow, they talked about literature and films and the complexities of their careers. “When you meet people this beautiful they usually talk about themselves, but Brooke was down to earth, intellectually curious, and interested in me,” said Mr. Nicholson, now 37.

(Louise Rafkin, “Living With Lyme Disease, Stronger With Love,” NYTimes, 5-24-19)

Death and disease don’t respect class lines, but three tiers of jazzy fringe among boldface-names can take some of the sting out of adversity.

(c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN

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Waters on Embracing the Infuriating

john waters

Mr. Waters with, from top, “Silver Clock” (2012), by Doug Padgett; “Untitled (Hammer)” by Lee Lozano (1962); and “Pier Paolo Pasolini and Mother” by Vittorio La Verde. Credit Eric Chakeen for The New York Times.

John Waters answers an interviewer’s question about the art he collects.

“Besides liking the work, what guiding principles do you follow in collecting?”

It has to sometimes, at first, make me angry. It has to delight me and surprise me and kind of like, put me off a little bit at first, and then I embrace it. The kind of art I like is the one that makes people angry, that hate contemporary art — the ones that easily fall for the bait of it. I always go to that first… So to me, each one of these pieces relaxes me and makes me tense at the same time — which is what art should do. All art that works infuriates people at first.

(Melena Ryzik, “John Waters, the Man Who Brought Us Divine and Loves Brown Art,” NYTimes, 5-23-19)

Petulant style note: In reading the article’s title I had to pause for a moment to recall that “Divine” was an actor in Waters’s film “Pink Flamingos.” A set-off such as quote marks — “Divine” — or italics — Divine — would add clarity. Just saying, as they say.

(c) 2019 JMN

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Parting Looks — Buck Schiwetz

Edward Muegge “Buck” Schiwetz (1898 — 1984) (c) 2019 JMN

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Parting Looks — Buck Schiwetz

Edward Muegge “Buck” Schiwetz (1898 — 1984) (c) 2019 JMN

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Guide by the Perplexed — Mind Over Method

gris guitar

Juan Gris, “Guitare sur une table,” from 1916, at Helly Nahmad. Credit via Helly Nahmad Gallery.

Pinterest thinks I’m interested in quick-and-dirty guitar:

“This article will show you the best method ever of how to efficiently learn and memorize the notes on a guitar neck in the shortest amount of time.”

I’ve seen the exact number of labeled guitar necks and chord diagrams I need to see.

My game is different: Not to memorize but to understand. It’s inefficient and rigorous and takes an unseemly “amount” of time. The notation is symbolic, not pictorial. Here’s C-major barred on fret 8, for example (there’s no capo where we’re going):

(6-8C)(5-10G)(4-10C)(3-9E)(2-8G)(1-8C)

Think index into an array if that helps. Notice the focus on note produced — string-fretNOTE — not finger placement. The chord’s anatomy is captured, not its fingering.

How surrender to the perplexed method may affect your playing is beyond my purview. The drills you do that matter most will be mental, not manual.

(c) 2019 JMN

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