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Tag Archives: musicology
“A triad is a simultaneous combination of three notes.” (Ralph Denyer, “The Guitar Handbook,” Alfred A. Knopf, New York, 2006) The introductory sentence to the “Triads” section of this useful guide distracts me from triads. I’m drawn off the mark … Continue reading
“It seems I am choosing words that will stand, and you are in them, but if I blunder, it doesn’t matter — I must persist in my errors. (Boris Pasternak, “For Anna Akmatova,” translated by Robert Lowell in “Imitations”) The … Continue reading
Pinterest thinks I’m interested in quick-and-dirty guitar: “This article will show you the best method ever of how to efficiently learn and memorize the notes on a guitar neck in the shortest amount of time.” I’ve seen the exact number … Continue reading
I’m not a rocker or blues man on a Gibson. I can make a long-fingered foray into the twelfth-fret region, but it’s not fruitful. When I mention “buck-effing” around the fretboard, therefore, only one B-C and E-F pair obtains per … Continue reading
Yea, though I walk through the shadow of the cloud of unknowing, I shall fear no malaise, for thy clef and thy stave, they comfort me. I pause from the demented abstraction of this serialized soliloquy, this goofy guide, to … Continue reading