Juan Gris, “Guitare sur une table,” from 1916, at Helly Nahmad. Credit via Helly Nahmad Gallery.
Yea, though I walk through the shadow of the cloud of unknowing, I shall fear no malaise, for thy clef and thy stave, they comfort me.
I pause from the demented abstraction of this serialized soliloquy, this goofy guide, to reflect that what it is, actually, is praying — a beseeching of the Inner Power enfolded in the gray matter to grant me long musical life during which to unfuddle prior musical life.
It’s a form of prostration unseemly in better calibrated souls. It grovels for enlightenment in a manner similar to the ostentatious self-abasement of flagellating zealots in olden times.
It’s a quest for absolution from the sin of blind adherence to finger-fucking the fretboard in lieu of understanding the fretboard and melding with it in brain-sourced rites of hard discipline.
It’s an act of penance over having fallen for pusillanimous, bankrupt, complacent teachers who catered to delusions of chumps like me: “Sweet Home Alabama” was at our fingertips if we fingered just so, they purred.
It’s a striving to pay the same attention to fretboard position that we pay to not falling over when we walk — little or none. O Inner Power, let me swoop irreflexively, unerringly, to the note at 3-10F or 5-5D. Guide my finger.
It’s hapless effrontery, whether relieved or not with silliness like this. The truth is that, to the passerby, these mantric soundings towards a contrived musicology are as dry as dust, like Judges or the Book of Numbers.
To be sure, I don’t know what the praying does for me, but it does something. It steadies me. In the pregnant nocturnal silences I’m like, Musician, guide thyself, or whatever.
And there you have it. It’s time to see how naturally occurring diatonic semitones (NODS) can expand indwelling fretboard awareness — coming next.
(c) 2019 JMN
EthicalDative 
Quote This?
JMN. The start of a painting of the musical modes — Ionic, Phrygian, etc. Painted the foreground first. Poor planning.
A kind observer from somewhere remarked that I had a fair amount of original content on my blog, and asked if I coped with plagiarism or copyright violation, saying he or she was seeing his or her own content cropping up elsewhere on the internet. I paraphrase the comment, because I now can’t locate it. It ghosted partially on my screen until I unlocked, but does not show up on WordPress, which is where I assumed it had originated. I pierce the bloggery veil now for a disquieting moment to address this unexpected but interesting question.
They say imitation is the sincerest form of flattery, and I suppose plagiarism is similar. The only reason someone might steal my thunder, it seems to me, is because I’ve said something either so useful or so unforgettable — or so potentially lucrative? — that he, she, or “it” corporately, wishes to be remembered for it in my stead. Gosh, thank you, would be my first thought, but I’m hard pressed to imagine any such scenario being the case — self-deprecation is one of my sincerest poses.
I experience EthicalDative mostly as an echo of my inner voice woolgathering in one way or another, ignored by the many, noticed by the few. Little or nothing I post can be more memorable or creative than the vast universe of good content blogged elsewhere.
I’m unaware of my effusions being appropriated with or without attribution. How does one know? In the age of Kardashian many people (and perhaps I’m included) cut and paste much of their very lives to and from the Internet. How do they even know when they’re speaking in their own voice and not someone else’s, or snapping their own face in the selfie and not one bestowed by a YouTube makeup guru?
I restarted this WordPress blog from three primitive antecedents on other platforms. In doing so I read an article that recommended copyrighting each post as a matter of course. I took it to heart and have mechanically followed that practice, though it feels pretentious most of the time. But the article also mentioned the necessity to periodically register your content with the appropriate agency for a small fee, which I have not done.
Failing said registration, and even with it, my understanding is that your avenues of recourse, should you get stepped on copyright-wise, are few and puny for the most part — the equivalent of saying “Please stop doing that!” — unless you have a walloping war-chest of ready money to burn on lawyers, and an endless supply of life to fritter away in lawsuits. I’ve neither. My only defense from theft is ethics, which is to say, I’m naked to the wind.
(c) 2019 JMN