Tag Archives: drawing

His First Word Was ‘Pencil’

“What I’ve come to realize after 30 years of research is that the pictorial output of Picasso basically consists of drawings rendered in paint. His entire oeuvre is conceived, anticipated and elaborated through drawing.” (Anne Baldassari) Give my my pencil, … Continue reading

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French and Script Plus Line! Christopher Marc Ford Dazzles

“figures of dissent” 10/05/23 « Je veux que ce trait serve à [te] dessiner … » – Notre-Dame-des-Fleurs Instagram figures of dissent — Christopher Marc Ford

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‘Drawing Is a Way of Thinking’

As a drawing curator at the Museum of Modern Art in New York, Ms. Rose organized exhibitions that showed how drawings were far more than preliminary works executed mainly on paper. “Bernice showed generations of curators and collectors that drawing … Continue reading

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‘They Can Feel Almost Like Exquisite Texts to Be Read’

… Each [painting] presents so much information that you have to move in close for further contemplation and deciphering, trying to figure out how the paintings were made and which of their weird little details are accidental, which deliberate. They … Continue reading

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Drawing in the Dark

… As a young artist living in Georgia, he spent nights alone in a dark room, teaching himself to draw without the meddling of his eyes. Unlearning is still a kind of learning. (Jackson Arn) (Jackson Arn, “Cy Twombly, the … Continue reading

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Super-Diatribalistic Mega-Magadocious

(c) 2022 JMN — EthicalDative. All rights reserved

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Trills and Spills from ‘Gilgamesh’s Snake’

Verses are from Ghareeb Iskander, Gilgamesh’s Snake and Other Poems, Bilingual Edition translated from the Arabic by John Glenday and Ghareeb Iskander, Syracuse University Press, 2016. Translations here are mine. (c) 2022 JMN — EthicalDative. All rights reserved

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Poetry PowerPoint, Crossdressing Wolf

Cartoons can slay. Here are two that plaster a grin on my face for the connections they make. The first is from The New Yorker. The second is from Larson’s The Far Side Daily Dose website. (1) I once had … Continue reading

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The Case for Rhythm and Emptiness

Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading

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What He Simply Tries to Do

“In his view, painting and drawing are exactly the same difficulty and take roughly as long as each other.” (William Feaver, art critic and one of Auerbach’s regular sitters) Asked whether he has learned something new about his face, [Auerbach] … Continue reading

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