Tag Archives: personal

‘Mystique of Belatedness’: Mything the Point

Thank you for your visits to this blog and for indulging its mischief in 2022. More joy and less loss be ahead for each and all! (JMN) “I’m convinced. Eliot finished poetry off.” (Matthew Walther) The problem is not that … Continue reading

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Paint What You Fear

When my dad died in 2013, his shed (now mine) was full of guns. I inherited his art supplies, so I took up painting again after a long hiatus. My subjects came to be things I was afraid of. The … Continue reading

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Saint Brevity, Patron of Blagueurs

“A wealth of information creates a poverty of attention.” (Nobel Laureate Herbert Simon, 1971) Like a bird on a pole,Like a soul on the dole,I have tried all my waysTo be brief.(JMN, after Leonard Cohen) (Harold Simon is quoted by … Continue reading

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Gone, Not Forgotten

Greystoke, old dear, we hardly knew ya and you’ve broke our hearts. Purr in peace. (c) 2022 JMN — EthicalDative. All rights reserved

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‘We Were Limpid, So We Were Not Turbid’

A verse of classical Arabic can be tightly packed. Besides immersion in grammar, what’s most useful to this student of the language is a highly Congruent (1) translation. It amounts to what’s called a “trot,” and is the least likely … Continue reading

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View from the Low Side of Town

My illustration is an abstraction derived from the layout of structures and spaces on my squat down by the Big Muddy. The turgid Waddy Loopy is a conduit of Texas Hill Country drainage that lumbers past me on its way … Continue reading

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‘A Writer Who Composed Prose Like Poetry’

Considering the toll it takes on me to construct a writing boiled down to within an inch of its life about something I think, punctuate it punctiliously, then figure out too late what I’ve said, much less thought, if anything, … Continue reading

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Rough Handling of Paint

[His] early Sugar Bowl, Pears and Blue Cup (1865-70)… shows Cézanne seeing and painting in a relatively traditional way. Apart from the rougher handling of paint, it is a close relative of traditional scenes like Harmen Steenwyck’s… (Matthew Wilson) I … Continue reading

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The Case for Rhythm and Emptiness

Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading

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Je pense, donc je blague

When I’m tempted to post something here with greater frequency than usual, I ask myself: Am I in thrall to a voracious craving for plaudits? Am I a prelapsarian Ozymandias? An attention-seeking missile? Look what I’ve thought — done! — … Continue reading

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