Tag Archives: reading

Did Adam and Eve Have Navels?

“If all men are born free, how is it that women are born slaves?” (Mary Astell (1666-1731) The question of Adam’s and Eve’s navels has been discussed by theologians. It’s interesting, some have thought, for how it bears on the … Continue reading

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Ankle Bells Aquiver

Economy and directness are said to be paramount traits of poetry. “Directness” does heavy lifting in that statement. The poem by Alafia Nicole Sessions titled “Immature Animals” (Poetry, October 2024) stumps, like something glimpsed that you can’t identify, but so … Continue reading

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‘His Lesions Are Legion…’

In a single poem Gwendolyn Brooks wraps up in a big bow the harrowing, goofy joy, the confused exultation salted with brow-knitting angst, that enters into raising yourself with children. “Life for my child is simple, and is good” is … Continue reading

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‘Digging Everywhere Until Things Gave’

Adjacency can have a downside when it sparks comparison. “Praise Song for Annie Allen” by Angela Jackson is published alongside Gwendolyn Brooks’s “Memorial to Ed Bland” in Poetry, September 2024. The juxtaposition drives home for me how brightly Brooks shines … Continue reading

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THAT God: The Argument With Him (or Them)

Christian J. Collier publishes three poems in Poetry, September 2024: “God,” “Case Study” and “The Compline.” Spoken cleanly, rhythmically, hotly, they orbit around experience gleaned from the crucible of propagating life. Formal religion can be heavy on bone and light … Continue reading

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‘I Handed This…Singular Life Over’: Kate Asche’s ‘[Untitled]’

The words of Kate Asche’s poem “[Untitled]” (Poetry, May 2024) enact a sac-like image on the page. Leapfrog the spaces between them and they (the words) hang together as if magnetized, flowing into shattering assertions. A life is lost in … Continue reading

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On Rhyme and a Little Bit of Rhythm

Reading current poems, I notice how rhyme seems mostly a thing of the past. Occasional rhyme and near rhyme can land felicitously nowadays, but when deployed lockstep it’s often noisy and distracting. To some degree the same is true with … Continue reading

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‘I Said Hello. Then You Said You Said Hello’

I’m guessing you think there’s a typo in my heading. I know! The use of repetition in “The Renaissance,” a poem by Trey Moody (Poetry, May 2024), was a hook for me. The thirteen-line poem starts here: I said hello. … Continue reading

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The Few, the LOUD

The elbow room in ivied halls of bard raptureHas the vastness of atomic space.Let ring lute! — Recorder, mandolin and dulcimer.Let move your lips with mine while reading silently.Let BE our noise! Be louder than it sounds! A sub-segment of … Continue reading

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‘Tested in the Wrack Wrack of the Parlance’

… I want to say / this is how it started: / there was a mystery / it begged / to be stroked(Alexis De Veaux, “For my love at the time of our ceremony,” Poetry, July-August 2024) “YxzY” by Ronaldo … Continue reading

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