Monthly Archives: November 2022

‘It’s More Than It Initially Appears’

Posted on November 11, 2022 by JMN

The comment attributed to a museum director about Jennifer Guidi’s painting reminded me of Mark Twain’s remark that Wagner’s music is “better than it sounds.” “I’m thinking of color as a way to connect — a way to engage — … Continue reading →

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Rough Handling of Paint

Posted on November 9, 2022 by JMN

[His] early Sugar Bowl, Pears and Blue Cup (1865-70)… shows Cézanne seeing and painting in a relatively traditional way. Apart from the rougher handling of paint, it is a close relative of traditional scenes like Harmen Steenwyck’s… (Matthew Wilson) I … Continue reading →

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The Zephyr Soughs My True Love’s Name: Saoirse… Saoirse… Saoirse…

Posted on November 8, 2022 by JMN

Step aside, Italian. Fair English, most mellifluous of tongues, is queen of poesy and opera. (c) 2022 JMN — EthicalDative. All rights reserved

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‘O Thou There, Who Barkest at the Bènū ‘s Sīd’

Posted on November 5, 2022 by JMN

Below is jargon improvised for gauging how a translation navigates its source text. Note how the verbiage is strewn with hedging adverbials, conceding a priori that the labels are judgments, which by definition are subjective, privative, compromised, blinkered and fallible. … Continue reading →

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Shades of Ribald Theobald’s Piebald Cow Pies

Posted on November 2, 2022 by JMN

“I don’t know, I find it vaguely therapeutic to express myself on Twitter. It’s a way to get messages out to the public.” (Elon Musk) (John Cassidy, “Elon Musk Just Highlighted His Biggest Dilemma at Twitter,” The New Yorker, 10-31-22) … Continue reading →

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The Case for Rhythm and Emptiness

Posted on November 1, 2022 by JMN

Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading →

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