About JMN
I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.
Work by Klee always gives me a boost. I also enjoy the critic’s sprightly accounting of it, which I excerpt here. … David Zwirner [Gallery] has nabbed a heavyweight: Paul Klee, the splendidly cagey Swiss-German modernist and Bauhaus professor. … … Continue reading →
This gallery contains 1 photo.
The humans are cartoonish, with unsettling ocular highlights. The man’s buckle and spurs gleam unexpectedly. The beakish woman (clad in denim?) grasps a shepherd’s crook. A bucket dangling from block and tackle drips water drawn from an artesian well. It … Continue reading →
I ponder what exactly the relationship between professional critic and working artist is. I, of course, am neither — a nosy bystander at best. I’m aware glancingly of debates in the professional art community about who says and does what. … Continue reading →
Harold’s welded tonnage of heroic longhorn steer stands about eight feet tall at the poll (the space between his ears). It’s from an early period — the 80’s. Harold donated the steer to his alma mater, Sul Ross State University … Continue reading →
It’s a veritable laff riot when talking heads wax jocose with their colleagues while the camera rolls. Rachel, female reporter ending her remote footage: “Back to you, Tucker. I’m gonna stay here and have fun with Curly, my new buddy.” … Continue reading →
Posted in Commentary
|
Tagged language, screen
|
I like learning that the average reading speed for adult viewers of subtitled movies is 15 to 17 characters a second, that 37-42 characters fit on a line, and the number of lines is limited to two. A sad fact, … Continue reading →
This painting has some slight appeal for me. Maybe it’s better called a sketch, and its appeal is in its very sketchiness. It’s flat; there’s no hint of color perspective. The figures are suggested crudely. The paint is slathered on … Continue reading →
When I re-launched this blog a year ago, my father had died. I imagined one use for the blog as being an archive for images of some of his art works. That particular thrust of the blog faltered. Lately, with … Continue reading →
I see almost daily in the work of fellow bloggers luminous evidence of the play of eye and hand across a surface with some object — pen, crayon, brush, mouse — that leaves expressive marks. Laura Cumming, art critic for … Continue reading →
Posted in Quotations
|
Tagged drawing
|
Thank you, Maeve Higgins. I’m always glad for the rare journalist who doesn’t assume her reader is privy to novel slang. A term I knew only from sailing has headlined several unread articles recently. I assumed it had to do … Continue reading →
“Splendidly Cagey”
Work by Klee always gives me a boost. I also enjoy the critic’s sprightly accounting of it, which I excerpt here. … David Zwirner [Gallery] has nabbed a heavyweight: Paul Klee, the splendidly cagey Swiss-German modernist and Bauhaus professor. … … Continue reading →