About JMN
I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.
The OO states uncover a consistency that helps learn what 8 natural notes are produced at 12 fret-based coordinates. Let’s use a notation specifying string-fret, then note. Example: “1-7B.” In the example, the initial digit (‘1’) designates string 1. The … Continue reading →
Posted in Anthology
|
Tagged guitar, music
|
Edward Muegge “Buck” Schiwetz (1898-1984), born in Cuero, Texas. (c) 2019 JMN
Here we restate and complement our OO schemes as follows: Octave-of-Following (OOF) *E-string-1 at Fret-0 is an E-note with OOF state re E-string-6 E-string-1 at Fret-7 is a B-note with OOF state re B-string-2 B-string-2 at Fret-8 is a G-note … Continue reading →
Posted in Anthology
|
Tagged guitar, music
|
There’s this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close? (Brett Patman, … Continue reading →
This inadvertently comical drawing by Harold J. Nichols (1924-2013) has a vigor and intensity that I find seductive. It has the top-of-head deficit common amongst us untrained drawers. The brain fools the eye somehow. I think it discounts what’s above … Continue reading →
I did not err in an earlier post; the post simply misspoke itself. Derived Octave-of-Following (DOOF) state was announced as coming next. The post should have intended to say: “Octave-of-Preceding (OOP) state — coming next.” Octave-of-Preceding (OOP) state is the … Continue reading →
Posted in Anthology
|
Tagged guitar, music
|
Octave-of-Following (OOF) state is the state in which a fretted note is the octave of the following open string. This is true: E-string-1 at Fret-7 is a B-note with OOF state re B-string-2 *B-string-2 at Fret-8 is a G-note with … Continue reading →
Posted in Anthology
|
Tagged guitar, music
|
The Poet sat in a dive on 52nd Street “uncertain and afraid.” I sit in a shed on 3rd Street where I, too, watch “the clever dreams expire of a low, dishonest decade.” The manic hubbub of tear-it-downers and bust-it-uppers … Continue reading →
Any drawings that are “like letters of a foreign language” would get my attention. This is so with the drawings of Susan Hefuna. … Susan Hefuna makes ink drawings inspired by the intricate wooden screens of her Cairo childhood… done … Continue reading →
Work by Klee always gives me a boost. I also enjoy the critic’s sprightly accounting of it, which I excerpt here. … David Zwirner [Gallery] has nabbed a heavyweight: Paul Klee, the splendidly cagey Swiss-German modernist and Bauhaus professor. … … Continue reading →
Rust in Peace
There’s this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close? (Brett Patman, … Continue reading →