This gallery contains 1 photo.
Woman With Automatic.
Salem 01970 Coutín Anything too dear in your odd affection spirits toward mirth and issues to air. Your white teeth open, the dear thing dies in laughter. Then your face is whole again. Washed in the soul-splitting grin of the … Continue reading
Arden Lutz was one of the honchos behind the development west of town. He and Bo Dunaway and Wink Hufstetler bought the old Decatur farm that runs along Soledad Creek. They chopped it into three-quarter-acre lots and sold “creekside vistas” … Continue reading
This Makes No Frankin Sense The boswellia papyrifera, A tree that grows in Ethiopia, Produces frankincense, a curious resin That has a bitter smell but isn’t poison. In Africa and in the Middle East It has embellished many a fine … Continue reading
Fried okra is not a vegetable. It’s cornmeal in drag. (jmn) He’s determined to shoot himself in my foot. (jmn) The student decided I wasn’t serving his needs and resolved to take it out on himself. (jmn) It’s hard not … Continue reading
*On the Song of Songs* Bernard of Clairvaux B You are my subject, scraped from the womb. Will we cross in Limbo, sad progenitor and aspiring heir? Who will survive? I have been scoured from your mother’s eyes as resolutely … Continue reading
Can peace and beauty (opulent) be immoral? Grosse Pointe Shores. Lake Ste. Claire. (Copyright 2018 James Mansfield Nichols. All rights reserved.) Written in the 70s, 70s-11a. (Copyright 2018 James Mansfield Nichols. All rights reserved.)
I admit that’s bad, but not *that* bad. I may breach decorum occasionally (like now), but I try mightily not to breach good taste. I’m sure you can handle the above; being a diffident sort, I wasn’t sure *I* could … Continue reading
“What I teach you is nothing. What you learn by doing over and over is where the learning begins.” (Simon Michael) “Writing poetry is much easier than reading it.” (Guy Davenport) “Write hard and clear about what hurts.” (Hemingway) “It … Continue reading
Minor Pentatonic Scale (1) [7-6-2012]
(a) I’ve adapted the above “box pattern” graphics from “Fretboard Knowledge for the Contemporary Guitarist,” Vivian Clement (Alfred Publishing Co., 2003), p. 11. I’ve put note names where the book’s originals have black dots. I do so fully realizing that … Continue reading →